English subtitles for clip: File:Harry Connick, Jr. at the White House.webm

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Mrs. Obama:
Hey!

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(cheers and applause)

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You're all excited?

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Audience:
Yes!

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Mrs. Obama:
See, Harry, we
got a good crew here.

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Well, welcome to
the White House.

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Yay!

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(applause)

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How many of you have
been here before, ever?

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What, for a tour?

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Audience Member:
No.

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Mrs. Obama:
No?

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What were you doing here?

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Audience Member:
Easter.

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Mrs. Obama:
Easter egg, that's
coming up soon.

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You all have to come back for
this year's Easter Egg Roll.

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Well, I'm pleased
to welcome you all.

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You guys students
of Myrtilla Miner?

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Yeah, yeah.

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Well, you guys are part of
the glee club of the school?

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Audience:
Yeah.

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Mrs. Obama:
So you all are singers,
everybody has got a good voice.

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That's great.

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Well, you guys are from the
school here in Washington,

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and we want to welcome you to
the press preview for a big

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dinner that we're
having here tonight.

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Since I've been First Lady, one
of the goals that I've had is to

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make sure that kids from the
community get a chance to

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partake in some of the really
interesting and cool stuff that

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we have to offer here and to
learn more about how government

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works and to get some
unique experiences,

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because we do a lot
of fun stuff here,

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and sometimes it's just
for grown-ups or just for

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politicians, and we always want
to make sure that some of the

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kids get to experience some of
the things that we're doing.

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And tonight is a
really special night,

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because we have all of the
governors from all the states

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from all across the country
who are here this weekend,

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and we're having a really fun
annual Governors Ball here tonight.

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And they're here all weekend,
so we've done a bunch of

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different things with them.

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Yesterday I spoke to all the
governors about a new initiative

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that I'm starting
on child obesity.

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We're trying to make sure that
all you guys grow up healthy,

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eating your vegetables,
exercising,

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and that the entire nation is
working to help you do that.

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So I talked to all the
governors about it.

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It's called, "Let's Move," so
that we're all getting up,

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moving for you all.

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And tonight, right
here -- well, actually,

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right down the hall -- we're
going to have a big ball.

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It's a big dinner.

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Everybody gets dressed up.

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I'm going to wear
white, just so you know.

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The press gets to hear that.

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I'm going to be wearing white.

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That's all I'm telling you.

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And the men will be in tuxes,
and all the secret service,

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they have their tuxes on now,
so they look pretty spiffy.

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And then tomorrow the President
talks to the governors,

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and he has a big meeting
with them, and then I host,

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along with Dr. Jill Biden, who's
the Vice President's wife,

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we have all the spouses
back here for a luncheon.

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So it's a pretty busy weekend.

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And events like these are really
important for the government,

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because you know how when you're
working with somebody and if all

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you're doing is
working with them,

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you don't really get
to know them, right?

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So sometimes you need to
know people outside of work,

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and you need to sit down
and have a nice dinner and,

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you know, not talk about
politics and business,

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and just get to know
each other as people.

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Well, that's why
tonight is important,

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because it really gives people
a chance to not talk about the

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things that they
don't agree with,

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but they get to understand
what they have in common.

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And sometimes having
fun helps you do that.

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And this is a night that's
supposed to be fun,

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and it's supposed to encourage
people to get to know each other.

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Last year we had the
governor's ball here,

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and you know who
we had performing?

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We had Earth, Wind & Fire.

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You all know Earth, Wind & Fire.

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You may be a little young
for Earth, Wind & Fire,

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but we know Earth, Wind & Fire.

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So imagine all the
governors and the President,

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they were dancing to a congo
line right here in this room,

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because the band played here.

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So it was a lot of fun.

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But this year our entertainment,
very special guest,

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somebody who I love dearly and
has just been a friend to us for

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a very long time, Harry Connick,
Jr. is going to be here.

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(applause)

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And he's pretty excited, because they're just off of a big Super

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Bowl win, because he's from New Orleans, and he's very proud.

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He's been traveling around --
I've seen you on Ellen and everybody.

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You're just so happy
that the Saints have won,

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and we're very happy for you,
and he's being joined by his big band.

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And for those of you who don't
know anything about Harry,

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he is a singer, he's a composer.

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That means he writes music.

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And he can act.

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Can you imagine that,
that triple threat?

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Can you dance?

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Harry Connick, Jr.:
Not very well.

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Mrs. Obama:
Well, that's okay.

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Dancing's okay.

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But he's not just -- he
can't just do all that,

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but he can do it
all really well,

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because he's won three
Grammy awards, right,

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he's won one Emmy, and he's sold
over 25 million albums worldwide

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and earned more than, more
number one albums than any other

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jazz artist in the
history of this country.

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Right?

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Something like
that, right, Harry?

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So that's pretty good stuff.

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And he's here to perform
with his band tonight,

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and some of the members of his
band are leading musicians in

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New Orleans.

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And I just got to meet
some of them, as well.

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And just so that you know who
they are, drummer Bobby French,

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he leads the New Orleans
Tuxedo Jazz Band,

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and that is one of the original,
the original tuxedos have the

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longest history, over 100 years
of continuous performance in New Orleans.

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So just think of that, a
band that has been playing.

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They've been together -- well,
they're not 100 years old,

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but they've had members
playing for 100 years.

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(laughter)

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Some of them are, right?

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Right?

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You all don't look like 100.

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Pianist and singer Al Johnson,
who's known in New Orleans for

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his song, Carnival Time.

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It's a famous song that they
play during mardi gras,

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which just happened, right,
just happened, mardi gras.

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Trumpeter Shamarr Allen, and
Shamarr began playing at age

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seven years old.

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How many seven-year-olds
are here?

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Any eight, nine?

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Who's the youngest?

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So, can you imagine somebody
starting to play the trumpet at

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seven years old, right?

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So he's pretty good, and he's
currently a member of the brass

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band called the Underdawgs,
spelled D-A-W-G-S, that's dawgs.

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(laughter)

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We also have Calvin Johnson,
Jr., and Calvin plays the

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saxophone, and he studies
music at the University of New Orleans.

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Right?

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So these are guys
working, studying,

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they're staying in school, learning how to play their instruments.

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We also have Andrew
Bayham, and Andrew sings,

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he plays the trumpet, and he's
currently a member of Big Sam's

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Funky Nation.

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Don't you like saying that,
Big Sam's Funky Nation?

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Audience Member:
Yeah.

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(laughter)

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Mrs. Obama:
I like saying it.

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These folks aren't just
talented musicians,

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and this is important, you guys,
because these guys aren't just

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playing music and earning
money and performing,

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but they're also
community leaders, too.

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And that's really important
for you guys as you grow up,

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because even if you can sing
and you dance, the question is,

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what do you give back
to the community?

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And these guys are living
what they believe in.

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They work tirelessly to
help rebuild New Orleans,

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because you all know what's
happened in New Orleans.

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There was a big
hurricane there, Katrina,

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and it devastated the city.

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And Harry and Branford Marsalis
-- have you guys heard of

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Branford Marsalis?

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He's also a famous jazz
musician, as well.

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Harry and Branford co-founded
what's known as Musicians

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Village, and it's a collection
of more than 70 homes for New

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Orleans' musicians who were
displaced because of the hurricane.

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They built these homes in
partnerships with the New

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Orleans Branch of
Habitat for Humanity,

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and they did it with the help of about 70,000 volunteers who came

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to help from all
around the world.

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Musicians Village gives artists
a sense of community and a venue

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for preserving the rich cultural
history and music of New Orleans.

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For the musicians
here, I understand,

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who are performing actually
call the village their home,

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is that right?

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Musician:
Yeah.

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Mrs. Obama:
That's very cool.

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Even during its darkest days,
what Harry knew and helped to

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preserve is that music is so
important to a city, you know.

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How do you all feel when
you all are singing, right?

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You feel good, right?

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It makes you feel happy.

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So no matter what's going on in
your lives, when you're singing,

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you feel good, right?

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So imagine a city that didn't
have its music, right?

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It's sort of like a person
who didn't have its soul.

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And what Harry and his band
members have done in New Orleans

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is to make sure that even in
its darkest hours that they

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preserved that culture
in New Orleans,

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and for that we are very
grateful for you, Harry,

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and for all of you
all for what you do.

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They're inspiring you guys, and
they're here early because they

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want to inspire each of you.

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So this is a big deal.

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Right?

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So you guys are going to join
me in giving a big round of

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applause to Harry Connick,
Jr. and the Big Band?

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Audience:
Yes.

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Mrs. Obama:
All right!

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(applause)

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Harry Connick, Jr.:
Thank you very
much, Mrs. Obama.

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And I want to thank all
of you for coming here.

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This is a very, very
exciting moment for me.

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When I look out and I see all
of these beautiful young faces,

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I look at my band and I say,
I need to get a new band.

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(laughter)

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Because my guys are
getting really old.

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Maybe there is some potential
musicians among you guys.

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Mrs. Obama was speaking
about the Musicians Village,

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which is a project that I put
together with Branford Marsalis

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in New Orleans, and we've
built 80 residences.

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And among the people living
in this New Orleans Musicians

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Village are musicians.

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80% of the people that are
living there are actual musicians.

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Music, as you know,
is so, so important.

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It was important to me.

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I had heroes growing up that
would play music and I would

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listen to, and they've inspired
me to become the musician I am today.

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If you guys wouldn't mind
parting a little bit,

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if you can see this handsome
guy on the drums back here,

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I started playing with him when
I was about six years old.

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His name is Bob French, and he
is the son of a very famous

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musician named Papa French.

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Well, I used to go listen to
them play at a club called

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Tradition Hall, and
Bob was playing drums,

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and I was fortunate enough to
spend time playing music with him.

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If I can direct your
attention over here,

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here is a picture of Bob sitting
in the rubble of New Orleans

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immediately after
hurricane Katrina.

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00:11:05,667 --> 00:11:10,067
You can see there's a big truck
upside down there under a house,

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00:11:10,066 --> 00:11:12,266
there's another
overturned truck here,

241
00:11:12,266 --> 00:11:14,666
and there is Bob sitting
with his snare drum.

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00:11:14,667 --> 00:11:18,397
And I think the message is very
clear that no matter how bad the

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00:11:18,400 --> 00:11:22,370
times are, as Mrs. Obama
said, in the darkest times,

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00:11:22,367 --> 00:11:24,067
music will always
get you through.

245
00:11:24,066 --> 00:11:26,796
And all of you guys are singers,
and I think you all know that.

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00:11:26,800 --> 00:11:29,870
Well, now if you look
at this other picture,

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00:11:29,867 --> 00:11:34,037
the top portion is a picture of
the same neighborhood right now.

248
00:11:34,033 --> 00:11:35,733
This is what it looks like now.

249
00:11:35,734 --> 00:11:37,264
There are 80 beautiful homes.

250
00:11:37,266 --> 00:11:38,896
They're all different colors.

251
00:11:38,900 --> 00:11:42,030
And most of the people living
in those homes are musicians.

252
00:11:42,033 --> 00:11:45,103
Not only does Bob live
there, but Shamarr Allen,

253
00:11:45,100 --> 00:11:48,470
who is an incredible young
trumpet player, lives there,

254
00:11:48,467 --> 00:11:53,397
and Calvin Johnson also
lives there, as well.

255
00:11:53,400 --> 00:11:56,730
It's an amazing thing.

256
00:11:56,734 --> 00:11:58,934
What we're really
excited about, kids,

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00:11:58,934 --> 00:12:01,404
is this bottom part
of the picture.

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00:12:01,400 --> 00:12:03,570
This is a rendering of a
building that's going to be

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00:12:03,567 --> 00:12:04,937
built very soon.

260
00:12:04,934 --> 00:12:07,504
We've actually started the
construction on it now.

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00:12:07,500 --> 00:12:10,170
It's called the Ellis
Marsalis Center for Music.

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00:12:10,166 --> 00:12:15,896
Ellis Marsalis is a great, great
music educator and a great pianist.

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00:12:15,900 --> 00:12:19,600
He has a bunch of kids, and some
of you have heard of Wynton

264
00:12:19,600 --> 00:12:21,800
Marsalis or my friend
Branford Marsalis,

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00:12:21,800 --> 00:12:23,800
those are two of his sons.

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00:12:23,800 --> 00:12:26,470
Well, this is the center for
music that we're starting to

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00:12:26,467 --> 00:12:30,297
build that's going to have
classrooms where people like

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00:12:30,300 --> 00:12:33,500
Shamarr or even Bob
will come and teach.

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00:12:33,500 --> 00:12:35,330
It's going to have
Internet access.

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00:12:35,333 --> 00:12:37,033
It's going to have
a performance space.

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00:12:37,033 --> 00:12:39,433
It's going to have a
recording facility.

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00:12:39,433 --> 00:12:42,833
So it's a really
good thing to have.

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00:12:42,834 --> 00:12:51,104
Our city is based on tradition,
and without the music in our

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00:12:51,100 --> 00:12:54,870
culture down there, the
tradition would be lost.

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00:12:54,867 --> 00:12:56,937
So this is a really
important step,

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00:12:56,934 --> 00:13:01,704
and I'm so happy that you young,
bright people are here to see

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00:13:01,700 --> 00:13:04,630
this, because as you grow older,
this community will develop,

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00:13:04,633 --> 00:13:07,203
and there's going to be a lot
of kids just like y'all who are

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00:13:07,200 --> 00:13:10,430
going to be great community
leaders because of this.

280
00:13:10,433 --> 00:13:14,333
And I'm honored to share
the stage with these guys.

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00:13:14,333 --> 00:13:15,933
And let me introduce
the other ones, too.

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00:13:15,934 --> 00:13:19,364
This is Mark Braud from
New Orleans on trumpet.

283
00:13:19,367 --> 00:13:21,037
On base, he's not
from New Orleans,

284
00:13:21,033 --> 00:13:23,463
but we still like him okay.

285
00:13:23,467 --> 00:13:25,597
His football team is
the worst football team.

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00:13:25,600 --> 00:13:27,470
(laughter)

287
00:13:27,467 --> 00:13:28,897
The St. Louis Rams.

288
00:13:28,900 --> 00:13:32,170
Whereas, the New Orleans Saints
this year are the best football team.

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00:13:32,166 --> 00:13:34,436
Just so you know, there's always
a little bit of contention

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00:13:34,433 --> 00:13:35,533
between us.

291
00:13:35,533 --> 00:13:37,063
His name is Neal Caine.

292
00:13:37,066 --> 00:13:38,196
He's a great guy.

293
00:13:38,200 --> 00:13:40,200
And over here is my
buddy Lucien Barbarin.

294
00:13:40,200 --> 00:13:44,400
Now, Lucien comes from a long
tradition of New Orleans musicians.

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00:13:44,400 --> 00:13:47,230
His Uncle Paul wrote a very,
very famous song called

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00:13:47,233 --> 00:13:48,703
The Bourbon Street Parade.

297
00:13:48,700 --> 00:13:50,900
In fact, I think we should
probably play that first.

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00:13:50,900 --> 00:13:52,270
That might be a nice way.

299
00:13:52,266 --> 00:13:55,096
Here's a little sample of the
type of music that we play in

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00:13:55,100 --> 00:13:56,070
New Orleans.

301
00:13:56,066 --> 00:13:59,936
And again, thank you to Mrs.
Obama and to the President,

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00:13:59,934 --> 00:14:03,464
both of whom wrote a personal
check to our Musicians Village,

303
00:14:03,467 --> 00:14:05,767
which we're just blown away by.

304
00:14:05,767 --> 00:14:07,437
They don't just talk about
what they're going to do,

305
00:14:07,433 --> 00:14:09,233
they actually
really, really do it,

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00:14:09,233 --> 00:14:10,803
and to that we're very grateful.

307
00:14:10,800 --> 00:14:12,530
So here's a little
New Orleans music.

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00:14:12,533 --> 00:14:13,803
I hope you enjoy it.

309
00:14:13,800 --> 00:14:17,800
(applause)

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00:14:17,800 --> 00:14:19,770
All right, now, if y'all
know the words to this one,

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00:14:19,767 --> 00:14:21,297
you don't have to
be a Saints fan,

312
00:14:21,300 --> 00:14:22,530
but you can sing along anyway.

313
00:14:22,533 --> 00:14:23,863
I think you all know the words.

314
00:14:23,867 --> 00:14:25,967
You got it, man.

315
00:14:25,967 --> 00:14:50,037
♪♪(music playing)♪♪

316
00:14:50,033 --> 00:14:52,563
♪♪(singing)♪♪
Oh, when the Saints
(Oh, when the Saints)

317
00:14:52,567 --> 00:14:55,037
Go marching in
(Go marching in)

318
00:14:55,033 --> 00:14:56,803
(speaking)
And they tell
me you can sing.

319
00:14:56,800 --> 00:14:59,130
♪♪(singing)♪♪
Saints go marching in

320
00:14:59,133 --> 00:15:00,633
(speaking)
Come on, I'll teach it you.

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00:15:00,633 --> 00:15:05,463
♪♪(singing)♪♪
Oh, I want to be in that number

322
00:15:05,467 --> 00:15:09,367
Oh, when the Saints
go marching in

323
00:15:09,367 --> 00:15:10,597
(speaking)
You repeat after me.

324
00:15:10,600 --> 00:15:11,870
♪♪(singing)♪♪
Oh, when the Saints

325
00:15:11,867 --> 00:15:13,097
Derrick Hopkins, Jr.:
Oh, when the Saints

326
00:15:13,100 --> 00:15:14,400
Harry Connick, Jr.:
Go marching in

327
00:15:14,400 --> 00:15:15,700
Derrick Hopkins, Jr.:
Go marching in

328
00:15:15,700 --> 00:15:19,570
Harry Connick, Jr.:
Oh, when the Saints
go marching in

329
00:15:19,567 --> 00:15:21,067
Derrick Hopkins, Jr.:
Go marching in

330
00:15:21,066 --> 00:15:24,996
Harry Connick, Jr.:
How I want to be in that number

331
00:15:25,000 --> 00:15:26,330
Derrick Hopkins, Jr.:
In that number

332
00:15:26,333 --> 00:15:27,333
Harry Connick, Jr.:
When the Saints --

333
00:15:27,333 --> 00:15:31,003
(speaking)
You wanna try it yourself?

334
00:15:31,000 --> 00:15:33,630
Derrick Hopkins, Jr.:
♪♪(singing)♪♪
Oh, when the Saints

335
00:15:33,633 --> 00:15:36,233
Go marching in

336
00:15:36,233 --> 00:15:41,703
They go marching in

337
00:15:41,700 --> 00:15:47,200
I want to be in that number

338
00:15:47,200 --> 00:15:50,170
When the Saints go marching in

339
00:15:50,166 --> 00:15:52,636
♪♪(music playing)♪♪

340
00:15:52,633 --> 00:15:54,203
Saints

341
00:15:54,200 --> 00:15:56,900
Go marching on

342
00:15:56,900 --> 00:16:03,100
When the Saints go marching on

343
00:16:03,100 --> 00:16:07,070
Oh, I want to be in that number

344
00:16:07,066 --> 00:16:11,696
When the Saints go marching in

345
00:16:11,700 --> 00:16:15,130
(applause)

346
00:16:15,133 --> 00:17:04,163
♪♪(music playing)♪♪

347
00:17:04,166 --> 00:17:05,366
(cheering)

348
00:17:05,367 --> 00:17:09,867
Harry Connick, Jr.:
Lucien Barbarin, Shamarr Allen, Mark Braud, Calvin Johnson,

349
00:17:09,867 --> 00:17:11,537
Neal Caine and Bob French.

350
00:17:11,533 --> 00:17:12,503
Thank y'all so much.

351
00:17:12,500 --> 00:17:16,070
And what is this
young man's name?

352
00:17:16,066 --> 00:17:18,936
I want everybody
to hear your name.

353
00:17:18,934 --> 00:17:20,664
Derrick Hopkins, Jr.:
Derrick Hopkins, Jr.

354
00:17:20,667 --> 00:17:24,337
Harry Connick, Jr.:
Derrick Hopkins, Jr., come up
here, take another bow, Derrick.

355
00:17:24,333 --> 00:17:25,263
Come on up here.

356
00:17:25,266 --> 00:17:26,096
Take one more bow.

357
00:17:26,100 --> 00:17:28,230
(cheers and applause)

358
00:17:28,233 --> 00:17:30,463
You're a junior, I
knew I liked you.

359
00:17:30,467 --> 00:17:32,237
Thank y'all so much,
thank you Mrs. Obama,

360
00:17:32,233 --> 00:17:33,833
and thank everyone
for having us.