File:Wonderland (August Strindberg) - Nationalmuseum - 23926.tif
Original file (3,181 × 4,385 pixels, file size: 39.94 MB, MIME type: image/tiff)
Captions
August Strindberg: Wonderland | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q7724 |
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Title |
English: Wonderland Svenska: Underlandet |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | landscape art | |||||||||||||||||||||||||||
Description |
English: This painting's genesis, Strindberg described in the essay "New trends in art! or by chance in artistic creation. Here he tells of how he first wanted to paint "a shaded forest interior, where you can see the sea at sunset." After having painted a while he notices that he can not see any sea, but instead, in the bright middle part "an infinite perspective of pink and bluish light, where the airy, disembodied, indeterminate beings hover around like fairies with a trailer of the clouds" . He notes that the forest has become a cave and that the foreground looks like rocks covered with lichen. Strindberg is working here as a kind of random method, the painting is created in an interplay between the conscious effort to bring about a certain subject and the deviations from the subject painter discovers during the process. Svenska: Den här målningens tillkomsthistoria har Strindberg beskrivit i essän Nya konstriktningar! eller Slumpen i det konstnärliga skapandet. Här berättar han om hur han först tänkt måla ”en beskuggad skogsinteriör, varifrån man ser havet i solnedgången”. Efter att ha målat en stund märker han att han inte kan se något hav, utan i stället, i det ljusa mittpartiet ”ett oändligt perspektiv av rosa och blåaktigt ljus, där luftiga, okroppsliga, obestämbara väsen svävar omkring som féer med släp av skyar”. Han noterar att skogen blivit en grotta och att förgrunden ser ut som klippor täckta av lavar. Strindberg arbetar här enligt ett slags slumpmetod; målningen skapas i ett växelspel mellan medveten strävan efter att åstadkomma ett visst motiv och de avvikelser från motivet målaren upptäcker under arbetets gång. |
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Original caption InfoField | English: This painting's genesis, Strindberg described in the essay "New trends in art! or by chance in artistic creation. Here he tells of how he first wanted to paint "a shaded forest interior, where you can see the sea at sunset." After having painted a while he notices that he can not see any sea, but instead, in the bright middle part "an infinite perspective of pink and bluish light, where the airy, disembodied, indeterminate beings hover around like fairies with a trailer of the clouds" . He notes that the forest has become a cave and that the foreground looks like rocks covered with lichen. Strindberg is working here as a kind of random method, the painting is created in an interplay between the conscious effort to bring about a certain subject and the deviations from the subject painter discovers during the process. Svenska: Den här målningens tillkomsthistoria har Strindberg beskrivit i essän Nya konstriktningar! eller Slumpen i det konstnärliga skapandet. Här berättar han om hur han först tänkt måla ”en beskuggad skogsinteriör, varifrån man ser havet i solnedgången”. Efter att ha målat en stund märker han att han inte kan se något hav, utan i stället, i det ljusa mittpartiet ”ett oändligt perspektiv av rosa och blåaktigt ljus, där luftiga, okroppsliga, obestämbara väsen svävar omkring som féer med släp av skyar”. Han noterar att skogen blivit en grotta och att förgrunden ser ut som klippor täckta av lavar. Strindberg arbetar här enligt ett slags slumpmetod; målningen skapas i ett växelspel mellan medveten strävan efter att åstadkomma ett visst motiv och de avvikelser från motivet målaren upptäcker under arbetets gång. |
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Date |
1894 date QS:P571,+1894-00-00T00:00:00Z/9 |
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Medium |
English: Oil on paperboard oil on cardboardmedium QS:P186,Q296955;P186,Q389782,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 6877 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: A S. 94. |
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References | ||||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 09:15, 8 October 2016 | 3,181 × 4,385 (39.94 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:August Strindberg}} |title = {{en|Wonderland}} {{sv|Underlandet}} |wikidata = Q18601693 |object_type = painting |description = {{en|... |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Image title | August Strindberg: Underlandet. NM 6877 |
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Camera manufacturer | NIKON CORPORATION |
Camera model | NIKON D2Xs |
Author | Nationalmuseum / The National Museum of Fine Arts |
Exposure time | 1/100 sec (0.01) |
F-number | f/10 |
ISO speed rating | 100 |
Date and time of data generation | 15:08, 18 August 2008 |
Lens focal length | 60 mm |
Width | 3,181 px |
Height | 4,385 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 34,308 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 4,385 |
Bytes per compressed strip | 41,846,055 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS3 Windows |
File change date and time | 11:33, 19 August 2008 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 15:08, 18 August 2008 |
APEX shutter speed | 6.643856 |
APEX aperture | 6.643856 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Flash |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 89 |
DateTimeDigitized subseconds | 89 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 90 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Soft |
Subject distance range | Unknown |
Structured data
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- Media contributed by Nationalmuseum Stockholm: 2016-10