File:Målning. Faraos dotter och Mosesbarnet. Bartholomeus Breenbergh - Hallwylska museet - 86725.tif

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Bartholomeus Breenbergh: The Finding of Moses  wikidata:Q18687974 reasonator:Q18687974
Artist
Bartholomeus Breenbergh (Konstnär, 1599-1659) Deventer - Amsterdam, Nederland
image of artwork listed in title parameter on this page
Photographer
Jens Mohr
Title
The Finding of Moses Edit this at Wikidata
label QS:Lsv,"Faraos dotter och mosesbarnet"
label QS:Len,"The Finding of Moses"
Object type painting
object_type QS:P31,Q3305213
Genre religious art Edit this at Wikidata
Original caption
Note: For documentary purposes the original description has been retained. Factual corrections and alternative descriptions are encouraged separately from the original description.
Målning. Faraos dotter och Mosesbarnet. Bartholomeus Breenbergh. HWY GR.XXXII:B.82.
Nyckelord: Breenbergh, Mosesbarnet, Målning, Allegori, Föremålsbild
Description
Svenska: Detta är det tidigaste signerade och daterade arbetet av Breenbergh och är därför ett nyckelverk för vår kännedom om hans tidiga år i Italien. Han anlände till Rom i slutet av 1619 och stannade där i tio år. Denna utsökta lilla kopparpannå tyder på att den unge Breenbergh starkt influerats av Jacob Pynas. Pynas hade återvänt till Holland från Rom 1608, men hans påverkan på unga konstnärer var fortfarande omfattande. Den antika byggnaden på den klippiga bergssidan till höger är Sibyllans tempel i Tivoli, ett ofta avmålat motiv av konstnärer norrifrån, däribland Breenbergh. Blankert jämför målningen med den signerade "Jesus och Maria", i en holländsk privatsamling, (Roethlisberger 1981, nr 65), vilken är stilistiskt snarlik och måste härröra från samma period i början av Breenberghs karriär. -*- This is the earliest signed and dated painting by Breenbergh and so is a key for our knowledge of his early years in Italy. He had arrived in Rome late in 1619 and was to remain there for ten years. This exquisite small copper panel displays the profound profound influence on the young Breenbergh of Jacob Pynas, who had left Rome to return to Holland in 1608 but whose influence on young Dutch artists was still pervasive. The antique building on the rocky hillside on the right is the Temple of the Sibyl at Tivoli, which was often drawn by Northern artist, including Breenbergh. Blankert compares the painting to the signed "Christ and Mary" in a Dutch private collection (Roethlisberger 1981, no. 65), which is very close in style to this painting and to this painting and must dated from the same point in Breenbergh's early career.
Depicted people Moses Edit this at Wikidata
Date 1622
date QS:P571,+1622-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 18.5 cm (7.2 in); width: 25 cm (9.8 in)
dimensions QS:P2048,18.5U174728
dimensions QS:P2049,25U174728
institution QS:P195,Q4346239
Accession number
HWY XXXII:B.82.
Place of creation Netherlands
Object history Frederic Muller,
Exhibition history
  • Netherlands 17th-Century Italianate Landscape Painters (1965) Centraal Museum, Utrecht
  • The Genius of Rome (2001) Royal Academy of Arts, London; Palazzo Venezia, Rom
References
Source LSH 86725 (hm_dig4494_3325)
Permission
(Reusing this file)
Photograph
Public domain
This Swedish photograph is in the public domain in Sweden because one of the following applies:
  • The photograph does not reach the Swedish threshold of originality (common for snapshots and journalistic photos) and was created before 1 January 1974 (SFS 1960:729, § 49a).
  • The photograph was published anonymously before 1 January 1954 and the author did not reveal their identity during the following 70 years (SFS 1960:729, § 44).

For photos in the first category created before 1969, also {{PD-1996}} usually applies. For photos in the second category published before 1929, also {{PD-US-expired}} usually applies.

If the photographer died before 1954, {{PD-old-70}} should be used instead of this tag. If the author died before 1926, also {{PD-1996}} usually applies.
You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
Public domain

This work is in the public domain in the United States because it meets three requirements:

  1. it was first published outside the United States (and not published in the U.S. within 30 days),
  2. it was first published before 1 March 1989 without copyright notice or before 1964 without copyright renewal or before the source country established copyright relations with the United States,
  3. it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries).
For background information, see the explanations on Non-U.S. copyrights.
Note: This tag should not be used for sound recordings.
Physical object
Public domain

The author died in 1659, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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current03:10, 9 October 2013Thumbnail for version as of 03:10, 9 October 20134,784 × 3,456 (94.69 MB)LSHuploadBot (talk | contribs){{LSH artwork |artist= |title= |description= Gustav II Adolf bakelser |original caption= Gustav II Adolf bakelser<br/> '''Nyckelord''': Bakelser, Marknadsföring, Liggande, Gustav II Adolf |date= |medium= |dimensions= |source= LRK |provenance= |exhi

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