File:Inghirami Raphael.jpg
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Captions
Summary[edit]
Raphael: Portrait of Tommaso Inghirami, called Fedra | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5597 |
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Title |
Portrait of Tommaso Inghirami, called Fedra label QS:Ltr,"Tommaso Inghirami Portresi"
label QS:Lfr,"Portrait de Tommaso Inghirami, dit Fedra"
label QS:Larz,"صوره لتوماسو انغيرامى"
label QS:Lpl,"Portret kardynała Tomasza Inghirami"
label QS:Laz,"Tommaso İngiraminin portreti"
label QS:Les,"Retrato de Tomasso Inghirami"
label QS:Lde,"Porträt des Tommaso Inghirami, genannt Fedra"
label QS:Lmk,"Портрет на Томазо Ингирами"
label QS:Len,"Portrait of Tommaso Inghirami, called Fedra"
label QS:Lit,"Ritratto di Fedra Inghirami, detto Fedra"
label QS:Lzh,"托瑪索·英吉拉米肖像"
label QS:Lnl,"kardinaal Tommaso Inghirami, genoemd Fedra" |
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Series title | Portrait of Tommaso Inghirami | ||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||
Genre | portrait | ||||||||||||||||||||||||
Depicted people | Tommaso Inghirami | ||||||||||||||||||||||||
Date |
between circa 1510 and circa 1511 date QS:P,+1510-00-00T00:00:00Z/8,P1319,+1510-00-00T00:00:00Z/9,P1326,+1511-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | oil on panel | ||||||||||||||||||||||||
Dimensions |
height: 91 cm (35.8 in) ; width: 61 cm (24 in) dimensions QS:P2048,+91U174728 dimensions QS:P2049,+61U174728 |
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Collection |
institution QS:P195,Q866498
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Accession number |
171 (Galleria Palatina) |
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References | |||||||||||||||||||||||||
Source/Photographer | https://www.wga.hu/html_m/r/raphael/5roma/3/02inghir.html | ||||||||||||||||||||||||
Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:59, 7 March 2021 | 800 × 1,163 (94 KB) | Multichill (talk | contribs) | COM:OVERWRITE | |
20:29, 4 March 2021 | 2,790 × 4,071 (2.39 MB) | FDRMRZUSA (talk | contribs) | Higher resolution and better image quality from: [https://gallerix.org/album/Rafael/pic/glrx-8747]. | ||
11:35, 2 December 2005 | 800 × 1,163 (94 KB) | Thuresson (talk | contribs) | |||
11:38, 20 October 2005 | 275 × 400 (13 KB) | Attilios (talk | contribs) |
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File usage on Commons
The following 7 pages use this file:
- Raffaello Sanzio catalogue raisonné, 1966 De Vecchi
- Raffaello Sanzio catalogue raisonné, 1971 Dussler
- Raffaello Sanzio catalogue raisonné, 1989 Ferino Pagden and Zancan
- File:Inghirami Raphael.jpg
- File:Rafael - Tommaso Inghirami, Boston.jpg
- File:Raffaello Sanzio - Portrait of Tommaso Inghirami - WGA18823.jpg (file redirect)
- Category:Tommaso Inghirami
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Metadata
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JPEG file comment | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) Cardinal Tommaso Inghirami 1515-16 Oil on wood, 91 x 61 cm Galleria Palatina (Palazzo Pitti), Florence This portrait shows the eminent man of letters and librarian of Pope Leo X with an absorbed expression, in the act of writing. It is assumed that Inghirami worked with Raphael on the program of the Stanza della Segnatura. The portrait is an exceptional work for its fullness of vision and vibrant colours, without being excessively grandiose or dramatic. There are two extant versions: one in Boston and the other in Palazzo Pitti. Each has been considered the original at one time or another, but the dispute is useless, since both are highly coherent and the differences between them are slight: the physical structure of the Cardinal is more massive in the Boston portrait and leaner in the Pitti one. It is accepted by some experts that both versions are the work of Raphael, the Boston version being the earlier from 1512-14. The red of the Cardinal's clothing dominates both. Inghirami's crossed eyes, a physical defect which the artist does not leave out, acquire a discreet tone which almost dissolves in the inspired pose of the figure. Without idealizing, but also without falling into unpleasant naturalism, Raphael maintains a harmonic equilibrium between realism and dignified celebration, a primary characteristic of portrait painting.
Author: RAFFAELLO Sanzio Title: Cardinal Tommaso Inghirami Time-line: 1501-1550 School: Italian Form: painting Type: portrait |
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