File:Daybreak after the bombardment of a port by Spanish ships RMG BHC0758.tiff

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Andries van Eertvelt: Daybreak after the bombardment of a port by Spanish ships  wikidata:Q50879496 reasonator:Q50879496
Artist
Andries van Eertvelt  (1590–1652)  wikidata:Q122484
 
Andries van Eertvelt
Alternative names
Andries van Aertvelt, Andries van Artevelde, Andries van Artevelt, Andries van Artvelt, Andries van Ertvelt, Andries van Eetvelt, Naentjen, Naentkens den schilder
Description Flemish painter, drawer and etcher
Date of birth/death 25 March 1590 (baptised) before 11 August 1652
date QS:P,+1652-08-11T00:00:00Z/7,P1326,+1652-08-11T00:00:00Z/11
Location of birth/death Antwerp Antwerp
Work period between circa 1607 and circa 1652
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1607-00-00T00:00:00Z/9,P1326,+1652-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Antwerp (1607–1627), Genoa (circa 1628–1630), Antwerp (1630–1652)
Authority file
artist QS:P170,Q122484
image of artwork listed in title parameter on this page
Title
Daybreak after the bombardment of a port by Spanish ships Edit this at Wikidata
title QS:P1476,en:"Daybreak after the bombardment of a port by Spanish ships Edit this at Wikidata"
label QS:Len,"Daybreak after the bombardment of a port by Spanish ships Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: Daybreak after the bombardment of a port by Spanish ships

A painting showing the aftermath of a port bombardment. This powerful composition focuses on the relative calm after a night of battering. The scene is bathed in a golden glow as the sun rises to highlight the landscape. A Spanish ship lies at anchor in the central foreground of the painting and another is preparing to get underway on the left. A small ship’s boat laden with soldiers is moving towards the Spanish ship. On the far left the buildings of the port are still smouldering after the attack. Although the sun is coming up, a crescent moon can still be seen through the morning clouds and smoke from the bombardment. The painting is signed with the artist’s monogram.

Daybreak after the bombardment of a port by Spanish ships
Date circa 1628
date QS:P571,+1628-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on panel Edit this at Wikidata
Dimensions Frame: 546 mm x 846 mm x 63 mm;Painting: 430 mm x 735 mm
institution QS:P195,Q7374509
Accession number
BHC0758
Notes Within the Museum’s Loans Out Policy there is a presumption against lending panel paintings. Please consult Registration for further details.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/12250
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1962-31
id number: BHC0758
Collection
InfoField
Oil paintings

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current15:09, 17 September 2017Thumbnail for version as of 15:09, 17 September 20173,600 × 2,111 (21.74 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1628), http://collections.rmg.co.uk/collections/objects/12250 #866

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