File:Cleopha.pdf

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Original file ‎(1,239 × 1,752 pixels, file size: 97 KB, MIME type: application/pdf, 4 pages)

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Summary[edit]

Description
English: Scott Joplin’s Cleopha (or The Conductor according to the plate identifications at the bottoms of the second, third, and fourth pages).
Date
Source Faithful transcription from Scott Joplin: Complete Piano Works, Fourth Edition, pages 48–51. Both the copyright of the original work (first published 1896, composer died 1917) and of the critical edition that the work is transcribed from (first published 1971, fourth edition published 1981) should be expired by now.
Author

Original: Scott Joplin Restoration: Vera Brodsky Lawrence (editor)

Vectorization: Galaktos (LilyPond)

LilyPond source

LilyPond
LilyPond
 The musical notation in this image was rendered by LilyPond, a free-software engraving program. Here is a listing of the LilyPond source used to create this file. 
\version "2.18.2"

\header {
  title = "Cleopha"
  other-title = "The “Conductor.”"
  subtitle = "March And Two-Step"
  composer = "Scott Joplin"
  copyright = \markup { \line { "1902, by" \caps "S. Simon" } }
  tagline = ##f
  page-count = 4
}

% helper command to print title and composer in uppercase in the title while keeping them in regular case for the metadata
#(define-markup-command (uppercase-property layout props symbol) (symbol?)
  (let ((property (chain-assoc-get symbol props)))
   (interpret-markup layout props
    (string-upcase property))))
% helper command to get the page-count (number) as a string for the footer
#(define-markup-command (string-property layout props symbol) (symbol?)
  (let ((property (chain-assoc-get symbol props)))
   (interpret-markup layout props
    (number->string property))))

\paper {
  % based on the default value in ly/titling-init.ly
  bookTitleMarkup = \markup {
    \override #'(baseline-skip . 3.5)
    \column {
      "" % no dedication
      \override #'(baseline-skip . 6)
      \column {
        \vspace #4.5
        \fill-line {
          \huge \larger \larger \larger \bold
          \concat { "“" \uppercase-property #'header:title ".”" }
        }
        \fill-line {
          \large \concat { \uppercase-property #'header:subtitle "." }
        }
        \fill-line {
          "" % no poet
          "" % no instrument
          \override #'(baseline-skip . 3) \concat { \uppercase-property #'header:composer "." \hspace #4 }
        }
      }
    }
  }
  evenFooterMarkup = \markup {
    \on-the-fly \not-first-page \teeny \concat { \hspace #5 \fromproperty #'header:other-title " " \string-property #'header:page-count "." }
  }
  oddFooterMarkup = \markup {
    \on-the-fly \first-page \fill-line {
      ""
      \teeny \concat { "Copyright, " \fromproperty #'header:copyright "." }
      ""
    }
    \on-the-fly \not-first-page \teeny \concat { \hspace #5 \fromproperty #'header:other-title "  " \string-property #'header:page-count "." }
  }
  print-page-number = ##f
}

\layout {
  \context {
    \Score
    \omit BarNumber
    \override NonMusicalPaperColumn.line-break-permission = ##f
    \override NonMusicalPaperColumn.page-break-permission = ##f
  }
}

LH = { \change Staff = "LH" }
RH = { \change Staff = "RH" }

\defineBarLine ":" #'("" ":" #f) % make sure a span bar glyph for the ":" bar glyph is defined
\defineBarLine ":-." #'("." ":" #f)
\defineBarLine ":." #'(":." #f " .")
\defineBarLine ".:" #'(".:" #f ". ")

\score {
  \new PianoStaff \with {
    instrumentName = \markup { \small \italic \bold "INTRO." } % not really an instrument name
  } <<
    \new Staff = "RH" {
      \clef "violin"
      \key f \major
      \time 2/4
      % Intro
      \tweak X-offset #1
      \tempo \markup { \teeny \italic "Tempo di Marcia." }
      \partial 8
      \relative c'' {
        c8 |
        \voiceOne
        f^\markup { \italic \bold \teeny "R. H." } f16 g f8 f |
        f f16 g f8 f |
        f f16 g gis a bes b |
        c8 \oneVoice <c,, c'>_^[ <d d'>_^ <e e'>_^] | \break \bar ":-."
      }
      % Part A
      \repeat volta 2 <<
        \new Voice \relative f' {
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <bes' bes'>4 <g g'> | \break
          << { \voiceTwo <c c'>2 } \new Voice { \voiceFour f4 r } >> |
          \voiceOne <g, g'> \oneVoice <b b'>8 <d d'> |
          <c c'> <c, c'>^^ <d d'>^^ <e e'>^^ |
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 | \break
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <bes' bes'>4 <g g'> |
          <c c'> d' |
          <f,, f'> <g g'> | \pageBreak
        }
        \new Voice \relative a' {
          \voiceTwo r8 <a c> r q |
          \voiceOne \slurNeutral r c'16( b c d c8) |
          \voiceTwo r <a, c> r q |
          \voiceOne \slurNeutral r c16( d e f g8) |
          \voiceTwo r <e g> r <c e> |
          \voiceOne \slurNeutral r a'16( gis a b c8) |
          \voiceTwo r <c, e> \oneVoice s4 |
          s2 |
          \voiceTwo r8 <a c> r q |
          \voiceOne \slurNeutral r c'16( b c d c8) |
          \voiceTwo r <a, c> r q |
          \voiceOne \slurNeutral r c16( d e f g8) |
          \voiceTwo r <e g> r <c e> |
          r <f a> <d f gis d'>4 |
          r8 <a c> r <e bes' c> |
        }
      >>
      \alternative {
        \relative f' {
          <f a c f>8 <c c'>_^ <d d'>_^ <e e'>_^ | \bar ":."
        }
        \relative f' {
          <f a c f>4 c'8 cis | \bar ".:"
        }
      }
      % Part B
      \relative d'' {
        \repeat volta 2 {
          d8. c!16 fis,4~ |
          fis16 fis a c <fis, es'>8 <fis d'> |
          <g d'>8. bes16 \once \tieDown g4~ | \break
          g16 d' g bes <d, g bes d>8 <dis g bes dis> |
          <e g bes e>8. bes'16 <e,~ g-\tweak Tie.direction #DOWN ~ bes~ d~>4 |
          q16 e g bes <e, bes' d>8 q |
          <f a d>8. a16 <f a c>4~ |
          q16 c' a f c8 cis | \break
          d8. c16 fis,4~ |
          fis16 fis a c <fis, es'>8 <fis d'> |
          <g d'>8. bes16 g4~ |
          g16 g' bes d <a a'>8 <g g'> | \break
          <f f'>8. a16 <e e'>8 <d d'> |
          <c c'>8. f16 <c fis bes>8 <c d a'> |
          <b f'! a>8. <b f'>16 <bes e g>8 <e, bes' c> |
        }
        \alternative {
          { <f a f'>4 c'8 cis | }
          { q <c, c'>_^[ <d d'>_^ <e e'>_^] | \break }
        }
      }
      % Part A'
      <<
        \new Voice \relative f' {
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <bes' bes'>4 <g g'> | \pageBreak
          << { \voiceTwo <c c'>2 } \new Voice { \voiceFour f4 r } >> |
          \voiceOne <g, g'> \oneVoice <b b'>8 <d d'> |
          <c c'> <c, c'>^^ <d d'>^^ <e e'>^^ |
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 | \break
          \voiceOne <f f'>4 <dis dis'> |
          \voiceTwo <e bes' c e>2 |
          \voiceOne <bes' bes'>4 <g g'> |
          <c c'> d' |
          <f,, f'> <g g'> | \break
        }
        \new Voice \relative a' {
          \voiceTwo r8 <a c> r q |
          \voiceOne \slurNeutral r c'16( b c d c8) |
          \voiceTwo r <a, c> r q |
          \voiceOne \slurNeutral r c16( d e f g8) |
          \voiceTwo r <e g> r <c e> |
          \voiceOne \slurNeutral r a'16( gis a b c8) |
          \voiceTwo r <c, e> \oneVoice s4 |
          s2 |
          \voiceTwo r8 <a c> r q |
          \voiceOne \slurNeutral r c'16( b c d c8) |
          \voiceTwo r <a, c> r q |
          \voiceOne \slurNeutral r c16( d e f g8) |
          \voiceTwo r <e g> r <c e> |
          r <f a> <d f gis d'>4 |
          r8 <a c> r <e bes' c> |
        }
      >>
      \relative f' {
        <f a c f>4 <f' a c f>8 \bar "." \key bes \major f, | \bar ".:"
      }
      \relative d'' {
        % Part C
        \repeat volta 2 {
          d8. c16 bes8 f |
          d'8. c16 bes f f' d |
          bes es g bes c bes bes, c | \break
          <f, d'>4~ q8 f |
          d'8. c16 bes8 f |
          d'8. c16 bes8 d |
          \once \stemUp d16 c bes g e g bes d |
          c4~ \stemDown c8 f, \stemNeutral | \break
          d'8. c16 bes8 f |
          d'8. c16 bes f f' d |
          bes es g bes c bes bes, c |
          <f, d'>4~ q8 bes16 d | \pageBreak
          \stemDown c8. g16 \stemNeutral bes8 c |
          d8. g16 f d c bes |
          <e, g>8. q16 <es f>8 q |
        }
        \alternative {
          { <d bes'>4~ q8 f | \bar ":." }
          { q8 <f f'>16 q q8 <g g'> | \bar ":-." \break }
        }
        % Part D
        \repeat volta 2 {
          <a es' a>8 <gis es' gis>16 <a~ es'-\tweak Tie.direction #DOWN ~ a~> q <gis es' gis> <a es' a>8 |
          <g es' g> <fis es' fis>16 <g~ es'-\tweak Tie.direction #DOWN ~ g~> q <a es' a> <g es' g> <ges es' ges> |
          <f~ d'-\tweak Tie.direction #DOWN ~ f~>4 q16 f bes d |
          <f, f'>4 <g' g'>8 <f f'> | \break
          <es es'>4~ q16 c' a g |
          f4 <f f'>8 <es es'> |
          <d d'>4~ q16 bes' a g |
          f4 <f, f'>8 <g g'> | \break
          <a es' a>8 <gis es' gis>16 <a~ es'-\tweak Tie.direction #DOWN ~ a~> q <gis es' gis> <a es' a>8 |
          <g es' g> <fis es' fis>16 <g~ es'-\tweak Tie.direction #DOWN ~ g~> q <a es' a> <g es' g> <ges es' ges> |
          <f~ d'-\tweak Tie.direction #DOWN ~ f~>4 q16 f bes d |
          <f, bes d f>4~ q8 bes16 d | \break
          \stemDown c8. g16 \stemNeutral bes8 c |
          d8. g16 f d c bes |
          <e, g>8. q16 <es f>8 q |
        }
        \alternative {
          { <d bes'> <f f'>16 q q8 <g g'> | \bar ":." }
          { <d bes'>4 <bes' d bes'>8 \bar ".." }
        }
      }
    }
    \new Dynamics {
      % Intro
      \partial 8
      s8 |
      s2*4 |
      % Part A
      s2\f |
      s2*16 |
      % Part B
      s2*17 |
      % Part A'
      s2*16 |
      % Part C
      s2*17 |
      % Part D
      s2*16 |
      s4 s8-\markup { \center-align \bold \teeny "  FINE." }
    }
    \new Staff = "LH" {
      \clef "bass"
      \key f \major
      \time 2/4
      \relative f' {
        % Intro
        \partial 8
        r8 |
        \voiceTwo
        \RH <f a c>2_\markup { \italic \bold \teeny "L. H." } |
        <f bes d>4 <f bes des> |
        <f a c> <des f b> |
        <c e g c>8 \LH \oneVoice <c,, c'>^^[ <d d'>^^ <e e'>^^] |
        % Part A
        \repeat volta 2 {
          <f f'>4 <fis fis'> |
          <g g'>8 <bes' c e> c, q |
          <f, f'>4 <fis fis'> |
          <g g'>8 <bes' c e> c, q |
          <g g'> <bes' c e> <c, c'> <bes bes'> |
          <a a'> <a' c f> <fis, fis'> <a' c dis> |
          <g, g'> <g' c e> g, <g' b f'> |
          <c e> <c,, c'>^^ <d d'>^^ <e e'>^^ |
          <f f'>4 <fis fis'> |
          <g g'>8 <bes' c e> c, q |
          <f, f'>4 <fis fis'> |
          <g g'>8 <bes' c e> c, q |
          <g g'> <bes' c e> <c, c'> <bes bes'> |
          <a a'> <a' c f> <b, b'>4 |
          <c c'> <c, c'> |
        }
        \alternative {
          { <f f'>8 <c c'>^^ <d d'>^^ <e e'>^^ | }
          { <f f'> <c' c'> <a a'> <g g'> | }
        }
        % Part B
        \repeat volta 2 {
          <fis fis'> <a' c d> d,, q |
          a' <fis' c' d> d, <a'' c d> |
          g, <g' bes d> d, q |
          g q <d d'> <des des'> |
          <c c'> <bes'' c e> <e,, e'> <bes'' c e> |
          <g, g'> <bes' c e> c, <bes' c e> |
          f <a c f> c, q |
          f, q <a a'> <g g'> |
          <fis fis'> <a' c d> d,, q |
          a' <fis' c' d> d, <a'' c d> |
          g, <g' bes d> d, q |
          g q bes <g' bes des> |
          c, <a' c> b, <gis' d' f> |
          c, <a' c f> <d,, d'> <fis fis'> |
          \once \stemDown g g' c, c' |
        }
        \alternative {
          { <f,, f'> <c' c'> <a a'> <g g'> | \bar ":." }
          { <f f'> <c c'>^^[ <d d'>^^ <e e'>^^] | \bar "." }
        }
        % Part A'
        <f f'>4 <fis fis'> |
        <g g'>8 <bes' c e> c, q |
        <f, f'>4 <fis fis'> |
        <g g'>8 <bes' c e> c, q |
        <g g'> <bes' c e> <c, c'> <bes bes'> |
        <a a'> <a' c f> <fis, fis'> <a' c dis> |
        <g, g'> <g' c e> g, <g' b f'> |
        <c e> <c,, c'>^^ <d d'>^^ <e e'>^^ |
        <f f'>4 <fis fis'> |
        <g g'>8 <bes' c e> c, q |
        <f, f'>4 <fis fis'> |
        <g g'>8 <bes' c e> c, q |
        <g g'> <bes' c e> <c, c'> <bes bes'> |
        <a a'> <a' c f> <b, b'>4 |
        <c c'> <c, c'> |
        <f f'> <f, f'>8 \key bes \major r |
        % Part C
        \repeat volta 2 {
          bes' <f' bes d> f, q |
          bes q f q |
          <es es'> <g' bes es> <es, es'> <ges' bes es> |
          <bes, bes'> <f' bes d> f, q |
          bes q f q |
          fis <a' c d> g, <g' bes d> |
          e <bes' c e> c, q |
          <f a c es!> <f, f'> <g g'> <a a'> |
          <bes bes'> <f' bes d> f, q |
          bes q f q |
          <es es'> <g' bes es> <es, es'> <ges' bes es> |
          <bes, bes'> <f' bes d> f, q |
          <es es'> <g' bes es> <ges, ges'> <ges' bes es> |
          <f, f'> <f' bes d> f, q |
          c' <bes' c> f <a c> |
        }
        \alternative {
          { <bes, bes'> <a a'> \stemDown <g g'> <f f'> \stemNeutral | }
          { <bes bes'> r <d d'> <des des'> | }
        }
        % Part D
        \repeat volta 2 {
          <c c'> <f a es'> f, <f' c' es> |
          a, q f <f' a es'> |
          bes, <f' bes d> f, q |
          bes q f q |
          c' <f a es'> f, <f' c' es> |
          a, q f <f' a es'> |
          bes, <f' bes d> <e bes' cis>4 |
          <f bes d>8 <f, f'> <d' d'> <des des'> |
          <c c'> <f a es'> f, <f' c' es> |
          a, q f <f' a es'> |
          bes, <f' bes d> f, q |
          <bes bes'> <as as'> \stemDown <g g'> <f f'> \stemNeutral |
          <es es'> <g' bes es> <ges, ges'> <ges' bes es> |
          <f, f'> <f' bes d> f, q |
          c' <bes' c> f <a c> |
        }
        \alternative {
          { <bes, bes'> r <d d'> <des des'> | }
          { <bes bes'> <f f'> <bes, bes'> }
        }
      }
    }
    \new Dynamics = "pedals" { % in the original score, the pedal marks are actually not perfectly aligned vertically, but adding them to the LH staff instead of collecting them in a separate Dynamics context greatly exaggerates the vertical displacement
      % Intro
      \partial 8
      s8 |
      s2*4 |
      % Part A
      \repeat unfold 15 {
        s8\sustainOn s s s\sustainOff |
      }
      s2*2 |
      % Part B
      s2*17 |
      % Part A'
      \repeat unfold 15 {
        s8\sustainOn s s s\sustainOff |
      }
      s2 |
      % Part C
      s2*17 |
      % Part D
      s2*16 |
      s4 s8
    }
  >>
}

Licensing[edit]

Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

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