File:Captain Samuel Barrington, 1729-1800 RMG BHC2533.tiff

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Nathaniel Dance-Holland: Captain Samuel Barrington, 1729-1800  wikidata:Q50870137 reasonator:Q50870137
Artist
Nathaniel Dance-Holland  (1735–1811)  wikidata:Q3336784
 
Nathaniel Dance-Holland
Alternative names
Nathaniel Dance
Description British portrait painter
Date of birth/death 8 May 1735 / 18 March 1735 Edit this at Wikidata 15 October 1811 / 1811 Edit this at Wikidata
Location of birth/death Kingdom of Great Britain Didcot
Work period 1753 Edit this at Wikidata–1782 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q3336784
image of artwork listed in title parameter on this page
Title
Captain Samuel Barrington, 1729-1800 Edit this at Wikidata
title QS:P1476,en:"Captain Samuel Barrington, 1729-1800 Edit this at Wikidata"
label QS:Len,"Captain Samuel Barrington, 1729-1800 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Captain Samuel Barrington, 1729-1800

A half-length portrait of Captain the Honourable Samuel Barrington, later Admiral of the White, facing slightly to the right in captain's uniform of 1767-74, consisting of a blue coat with a white waistcoat and gold buttons, and a white half-wig.

Samuel Barrington was the fifth son of John Shute Barrington, first Viscount Barrington (1678–1734). He joined the Navy in 1740, serving in the ‘Lark’ under Lord George Gordon. He passed his lieutenant’s examination on 25 September 1745, gained command of the sloop ‘Weasel’ in early 1747 and became captain of the frigate ‘Bellona’ on 29 May that year before moving to the ‘Romney’. In the Mediterranean, he commanded the frigate ‘Seahorse’; he captained the ‘Crown’ (44 guns) off the Guinea coast and the ‘Norwich’ off North America, 1754–55. From 1757 to 1761 he was captain of the ‘Achilles’ (60 guns) in various actions. In 1762 Barrington moved to the ‘Hero’, 74 guns, in the Channel. With peace in 1763 came unemployment; he was finally appointed to the 36-gun frigate ‘Venus’ in 1768, Barrington becoming flag captain to the duke of Cumberland, who was promoted rear-admiral in the ship. In 1771 he was appointed to the ‘Albion’, 74 guns, in the Channel Fleet. In 1777 he commissioned the ‘Prince of Wales’, 74 guns, and was promoted rear-admiral of the white on 23 January 1778. Barrington sailed to the West Indies to take command of the Leeward Islands squadron, arriving at Barbados on 20 June 1778. On 14 December 1778, with General James Grant, he launched an assault on St Lucia just as d’Estaing’s French squadron approached. Barrington’s squadron was able to fend off the French force while allowing Grant’s troops to establish their positions. Eventually, the French governor surrendered after d’Estaing withdrew. Barrington was promoted vice-admiral of the blue on 19 March 1779 and clashed with d’Estaing again off Grenada on 6 July and at St Kitts on 22 July that year. He was promoted vice-admiral of the white on 16 September 1781 and raised his flag in the ‘Britannia’ under Lord Howe in the Channel Fleet. He captured much of a French convoy heading for the East Indies on 18 April 1782; and was with Howe at the relief of Gibraltar in October 1782. He struck his flag on 20 February 1783 and was promoted admiral on 24 September 1787.

The artist worked with Pompeo Batoni in Rome, and on his return to London in 1765 achieved success as a portrait and history painter. In 1768, he joined a group of artists who successfully petitioned George III to establish the Royal Academy in that year.

Captain the Honourable Samuel Barrington, 1729-1800
Date circa 1770
date QS:P571,+1770-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 762 x 635 mm; Frame size: tbc
institution QS:P195,Q7374509
Current location
Accession number
BHC2533
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14007
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1959-4
id number: BHC2533
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current15:47, 27 September 2017Thumbnail for version as of 15:47, 27 September 20173,246 × 3,800 (35.29 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1770), http://collections.rmg.co.uk/collections/objects/14007 #1520

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