File:Van Dyck - Head of the Virgin, study for a painting, 1622-1627 (circa).jpg

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Anthony van Dyck: Head of the Virgin, study for a painting  wikidata:Q116728861 reasonator:Q116728861
Artist
Anthony van Dyck  (1599–1641)  wikidata:Q150679 q:it:Antoon van Dyck
 
Anthony van Dyck
Alternative names
Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck
Description Flemish painter, drawer and printmaker
Date of birth/death 22 March 1599 Edit this at Wikidata 9 December 1641 Edit this at Wikidata
Location of birth/death Antwerp Blackfriars, London
Work location
Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna (1622), Venice (1622), Rome (1623), Mantua (1623), Genoa (1623), Palermo (1623–1624), Genoa (1624–1625), Antwerp (July 1627), London (1627-March 1628), Antwerp (March 1628), The Hague (1629), Antwerp (1629–1632), Haarlem (1632), City of Brussels (1632), London (May 1632-1634), Antwerp (1634–1635), City of Brussels (1634), London (1636–1640), Antwerp (18 October 1640-...), Paris (January 1641-November 1641), Blackfriars, London (November 1641-9 December 1641)
Authority file
artist QS:P170,Q150679
image of artwork listed in title parameter on this page
Title
Head of the Virgin, study for a painting
Object type drawing
object_type QS:P31,Q93184
Description
Head of the Virgin, study for a painting; slightly inclined to right, looking up with lips parted, drapery covering the back of her head and falling around her shoulders. c.1622-27
Date between 1622 and 1627
date QS:P571,+1622-00-00T00:00:00Z/8,P1319,+1622-00-00T00:00:00Z/9,P1326,+1627-00-00T00:00:00Z/9
Medium black chalk on paper Black and red chalk
Dimensions height: 195 mm (7.67 in); width: 143 mm (5.62 in)
dimensions QS:P2048,195U174789
dimensions QS:P2049,143U174789
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1847,0326.14
Object history Acquisition date 1847
Credit line Courtesy of the British Museum, London
Inscriptions

Caption bottom center:

Puteanus./Van Dijck F. obit Ao 1646 (cut through)
Notes The use of red, black and white chalk for facial studies is a technique that Van Dyck learnt from his master Rubens, whose drawings of individuals such as his wife Isabella Brant (also in the BM, inv.1893,0731.21). Van Dyck did not frequently deploy this trois-crayons technique and instead later favoured the use of blue paper with black chalk and white [1]
Source/Photographer British Museum
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Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current06:11, 8 February 2023Thumbnail for version as of 06:11, 8 February 20231,728 × 2,340 (999 KB)WideAngleEyes (talk | contribs)Higher resolution version of the same file from the same source with the same colors
12:38, 27 November 2019Thumbnail for version as of 12:38, 27 November 2019750 × 1,015 (250 KB)Maltaper (talk | contribs)User created page with UploadWizard

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