File:Textile school catalog, 1917-1918 (1917) (14742970366).jpg

Identifier: textileschoolcat1718penn (find matches)
Title: Textile school catalog, 1917-1918
Year: 1917 (1910s)
Authors: Pennsylvania Museum and School of Industrial Art
Subjects: Pennsylvania Museum and School of Industrial Art--School catalogs Philadelphia Museum School of Industrial Art--School catalogs Philadelphia Museum School of Art--School catalogs Philadelphia Museum College of Art--School catalogs Philadelphia College of Art-- School catalogs Philadelphia Colleges of the Arts--School catalogs University of the Arts--School catalogs
Publisher: Philadelphia, PA: Pennsylvania Museum and School of Industrial Art
Contributing Library: University of the Arts (Philadelphia), University Libraries
Digitizing Sponsor: Lyrasis Members and Sloan Foundation

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Text Appearing Before Image:
F..\r.RIC EXAMINING AND TESTING LABORATORY colors, counts of warp and idling, take-ui) in weaving.—Amount ofeach color and material reciuired in a given length of goods. Iai.ric Strciti;ke—Is studied in part by observation and de-ductions based on the results obtained in the thorou,L;h analysis offabrics wdiich may lie remarkable for their good or bad qualities.This subject also includes the organization of specifications, designsand cobirings for jirescribed fabrics, the majority of which areexecuted by the student, thus enabling him to see the actual resultof his thought. 45
Text Appearing After Image:
c ^to REGULAR COURSE—FIRST YEAR FREE-HAND DRAWING Lookin.ii at a thing docs not necessarily indicate seeing a tiling.Free-hand drawing taxes the former to insure the latter. So muchfrom a )>ractical standpoint. I\utliermnre, free-hand drawing culti-vates a better taste, which is an essential in all embellishments, andthus becomes a necessity for the api)reciation and acquirement ofthe subsequent studies of figured design, color harmony, etc. FIGURED DESIGN Designing does not simply indicate an, indiscriminate decoration,but the exercise of care in the appropriateness of embellishments,wdiether such be used for the highest flowery design of a carpet orthe simple lines of tr(juserings or shirtings. In textiles this l)ecomesmore apparent when we consider not only the decorations and uses,but likewise the markets for which they are intended ; lience specialattention is paid t(.i original drawings of natural forms, tlieir conven-tionalization, history of ornament, and theory (jf color

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