File:James McNeill Whistler - Nocturne- Blue and Gold--Southampton Water - Google Art Project.jpg

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Summary[edit]

James McNeill Whistler: Nocturne: Blue and Gold—Southampton Water  wikidata:Q20270171 reasonator:Q20270171
Artist
James McNeill Whistler  (1834–1903)  wikidata:Q203643 s:en:Author:James Abbott McNeill Whistler q:en:James McNeill Whistler
 
James McNeill Whistler
Description American-British painter, etcher, illustrator, writer, lithographer and printmaker
Date of birth/death 10 July 1834 Edit this at Wikidata 17 July 1903 Edit this at Wikidata
Location of birth/death Lowell London
Work location
Belgium; Valparaíso; Paris; Trouville-sur-Mer; Venice; Amsterdam; Dordrecht; The Hague; Vlissingen; Zaanstad; London; Washington, D.C. Edit this at Wikidata
Authority file
artist QS:P170,Q203643

Details on Google Art Project
image of artwork listed in title parameter on this page
Title
Nocturne: Blue and Gold--Southampton Water
title QS:P1476,en:"Nocturne: Blue and Gold--Southampton Water"
label QS:Len,"Nocturne: Blue and Gold--Southampton Water"
Object type painting
object_type QS:P31,Q3305213
Date 1872
date QS:P571,+1872-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 505 mm (19.88 in); width: 760 mm (29.92 in)
dimensions QS:P2048,505U174789
dimensions QS:P2049,760U174789
institution QS:P195,Q239303
Current location
Level Second Level (Details of level on Google Art Project) room Gallery 273 (Details of room on Google Art Project)
Accession number
1900.52
Place of creation United States of America Edit this at Wikidata
Object history
English: Alfred Chapman, London, England, by 1892. H. Wunderlich and Co., New York, by 1900; sold to the Art Institute, 1900.
Exhibition history
English:

London, The Grosvenor Gallery, no. 106, 1882.


London, Goupil Gallery, Nocturnes, Marines & Chevalet Pieces, March-April 1892, no. 30.


Philadelphia, The Academy of Fine Arts, Late 1900 to about March 1, 1901.


Boston, Copley Hall, Oil Paintings, Watercolors, Pastels, and Drawings. Memorial Exhibition of the Works of Mr. J. McNeill Whistler, February 1904, no. 58.


London, The New Gallery, Memorial Exhibition of the Works of the Late James McNeill Whistler, February 22-April 15, 1905, no. 9.


Paris, Palais de L'École des Beaux-Arts, Exposition des Oeuvres de James McNeill Whistler, May 1905, no. 67.


Cincinnati Art Museum, Seventeenth Annual Exhibition of American Art, May 21-July 20, 1910, no. 210.


New York, The Metropolitan Museum of Art, Landscape Paintings, May 14-September 30, 1934, no. 76.


Art Institute of Chicago, Summer Exhibitions, July 20-October 29, 1939, no. 4.


Art Gallery of Toronto, Loan Exhibition of Great Paintings in Aid of Allied Merchant Seamen, February 5-March 5, 1944, no. 90.


New York, The William MacBeth Inc., Whistler Exhibition, April 17-May 14, 1947, no. 15.


Art Institute of Chicago, Cassatt, Sargent, and Whistler, January 14-February 25, 1954, no. 116; traveled to New York, The Metropolitan Museum of Art, March 25-May 23.


Peoria, Illinois, Lakeview Center for the Arts and Sciences, Two Hundred Years of American Painting, 1965, no catalogue numbers or page numbers but reproduced in black and white.


Art Institute of Chicago, James McNeill Whistler, January 13, 1968-February 25, 1968, Frederick A. Sweet, no. 20, p. 68; traveled to Utica, N.Y., Munson-Williams-Proctor Institute, March 17, 1968-April 28, 1968.


Berlin, Nationalgalerie Staatliche Museen Preussicher Kulturbesitz, James McNeil Whistler (1834-1903), 1969, no. 31, p. 77.


Albi, France, Musée Toulouse-Lautrec, Trésors Impressionnistes du Musée de Chicago, June 27-August 31, 1980, Jean Devoisins, no. 59.


New York, Metropolitan Museum of Art, In Pursuit of Beauty, Americans and the Aesthetic Movement, October 23, 1986-January 11, 1987, Doreen Bolger Burke, et al., fig. 9.20, ill. p. 333.


Nagaoka, Japan, Niigata Prefectural Museum of Modern Art, Masterworks of Modern Art from the Art Institute of Chicago, April 20-May 29, 1994; traveled to Nagoya, Aichi Prefectural Museum of Art, June 10-July 24; Yokohama Museum of Art, August 6-September 25, 1994.


London, Tate Gallery, James McNeill Whistler, October 13, 1994-January 8, 1995, Richard Dorment and Margaret F. MacDonald, cat. no. 48, ill. p. 125; traveled to Paris, Musée d'Orsay, February 6-April 30, 1995; Washington, D.C., National Gallery of Art, May 28-August 20, 1995.


"Songs on Stone: James McNeill Whistler and the Art of Lithography" THe Art Institute of Chicago 6/6/98-8/30/98; National Gallery of Canada, Ottawa 10/2/98-1/3/99


Bibliotheque Nationale de France, Paris "Proust" November 9, 1999-February 2, 2000.


Atlanta, High Museum of Art, After Whistler: The Artist and His Influence on American Painting, November 22, 2003-February 8, 2004, p. 106, ill.; Detroit Institute of Arts, March 13-June 6, 2004.


Toronto, Art Gallery of Ontario, Turner Whistler Monet: Impressionist Visions, June 12-September 12, 2004, Katherine Lochnan, no. 44, ill.; traveled to Paris, Galeries Nationales du Grand Palais, October 12, 2004-January 17, 2005; London, Tate Britain, February 10-May 15, 2005.
Inscriptions
English: Signed lower right: (butterfly monogram)
Notes More info at museum site
References
Source/Photographer agE7XpmV_fjNfQ at Google Cultural Institute maximum zoom level
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Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1903, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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