File:History of Rome and the Popes in the Middle Ages (1911) (14576671597).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(4,080 × 2,228 pixels, file size: 2.04 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: historyofromepop01gris (find matches)
Title: History of Rome and the Popes in the Middle Ages
Year: 1911 (1910s)
Authors: Grisar, Hartmann, 1845-1932
Subjects: Papacy
Publisher: London, Paul
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
ore the viri clarissimi in their prominentseats on the Podium, and before the countless massed throngwho had streamed through the eighty gateways. The unhappyband of gladiators, composed of slaves, criminals, and professionalpugilists, was conducted by their lanistae. or trainers. They mustmarch round the arena to salute the Court and the crowd before 1 Confessiomtm, 1. 6, c. 8, on the sad experience of his friend Alypius at Rome : Fervebant omnia immanissimis voluptatibus? &c. Cp. AMBROS., In psahn. XL.,No. 24 (P. L., XIV., 1078). 2 From a new photograph by Commendatore Carlo Tenerani, taken from the towerof S. Francesca Romana. To the left are the excavations, to the right the heights ofthe Caelian. 3 Prudentius, I.e., v. 1098 ff.: Delitias ait esse snas, peciiisque iacentis \ Virgomodesta iubet cojzverso pollice rumpi On account of their former connection with theservice of the gods, Prudentius, following current custom, still speaks of the gladiatorialcombats as triste sacrum.
Text Appearing After Image:
no. 24) LAST OF THE GLADIATORS 41 they die: Ave Imperator, morituri te salutantT Then, as usual,they fell apart into two divisions. The retiarii with their nets hadsharp tridents and daggers as weapons of attack. Their oppo-nents were the lightly-armed secuto7es and the heavy-armedmirmillones. In the passage alluded to against these games,Prudentius especially mentions this Pompa through the amphi-theatre, the tridents, the semtores, the in/amis arena. Whenspeaking of the struggle itself, he describes the dust raised bythe combatants in the Cavea, the wild cries of the audience, themoans and groans of the down-thrust gladiators. The picture isso vivid that we could fancy ourselves transported back to thefirst savage times of early Rome, or the bloodstained orgies ofthe period when debased Paganism reigned supreme. Yet nearlya hundred years had elapsed since the Emperor Constantine hadset up the saving Symbol of the Cross. 1 24. These grim games, under Honorius, were, however, tobe the

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14576671597/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
1
Flickr tags
InfoField
  • bookid:historyofromepop01gris
  • bookyear:1911
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Grisar__Hartmann__1845_1932
  • booksubject:Papacy
  • bookpublisher:London__Paul
  • bookcontributor:Robarts___University_of_Toronto
  • booksponsor:University_of_Toronto
  • bookleafnumber:78
  • bookcollection:robarts
  • bookcollection:toronto
Flickr posted date
InfoField
28 July 2014

Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14576671597. It was reviewed on 26 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

26 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current19:36, 15 March 2016Thumbnail for version as of 19:36, 15 March 20164,080 × 2,228 (2.04 MB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
00:59, 26 September 2015Thumbnail for version as of 00:59, 26 September 20152,228 × 4,080 (2.04 MB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': historyofromepop01gris ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fhistoryofromepop01gris%2F fin...

There are no pages that use this file.