File:History of Rome and the Popes in the Middle Ages (1911) (14576463980).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(2,472 × 1,236 pixels, file size: 401 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: historyofromepop01gris (find matches)
Title: History of Rome and the Popes in the Middle Ages
Year: 1911 (1910s)
Authors: Grisar, Hartmann, 1845-1932
Subjects: Papacy
Publisher: London, Paul
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
n detail in hisfecial article on the old ara maxima (Annali delV Istituto archeologico, 1854, p. 28 ff.).Sidonius, i, Ep., 6, adEutropium (P. £., LVIIL, 455 ; Luetjohann, p. 9).VOL. I. I i3o ROME AND THE POPES (No. 93 started off with his Gallic or Germanic retinue, and that thevisitors were totally unacquainted with Roman life and manners.What a contrast this city and its inhabitants would furnish totheir surroundings at home! In what follows we shall give a fewdetails such as may be found in abundance in the writers of theperiod. Let the reader regard them as they would have beenregarded by those travellers to whom classical life was somethingabsolutely novel. It may even be new to some people of ourown day to find how pertinaciously certain customs of early timeshad remained rooted at Rome, whilst elsewhere the whole aspectof the world had been transformed. 93. Beginning with that focus of the life of ancient Rome, wefind that the Thermae are still thronged. Attendance at the bath
Text Appearing After Image:
111. 23.—The Temple of Jupiter Capitolinus at the Time of its Splendour.An attempt at reconstruction.1 constitutes a regular feature of social life, though well-conductedChristians do not frequent all the baths indiscriminately. Weknow, for instance, that Consentius, a friend of Sidonius, waswont to visit those only where privacy protects Christianmodesty. These he prefers to the Thermae which Nero andAgrippa bestowed upon the City, and which the Emperor, whosebust adorns Salona (Diocletian), bequeathed to the citizens. 1 Drawing by the painter Marola after Rebers sketch for the panorama of Rome;under Constantine (1888). In many respects the construction since made by Pau;Aucler, S.J., in his work, Rome, restauration archeologique (Paris, 1899), approaches monclosely to the truth. The present figure is, however, sufficiently accurate for our purpose 2 Carmen, 23, ad Consentiwn, v. 495 ff. (P. L., LVIIL, 744; Luetjohann, 261). no. 94) CLASSICISM 131 These vast Imperial baths were the

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14576463980/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
1
Flickr tags
InfoField
  • bookid:historyofromepop01gris
  • bookyear:1911
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Grisar__Hartmann__1845_1932
  • booksubject:Papacy
  • bookpublisher:London__Paul
  • bookcontributor:Robarts___University_of_Toronto
  • booksponsor:University_of_Toronto
  • bookleafnumber:185
  • bookcollection:robarts
  • bookcollection:toronto
Flickr posted date
InfoField
28 July 2014

Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14576463980. It was reviewed on 25 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

25 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current22:13, 25 September 2015Thumbnail for version as of 22:13, 25 September 20152,472 × 1,236 (401 KB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': historyofromepop01gris ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fhistoryofromepop01gris%2F fin...

There are no pages that use this file.