File:Guitar MET Voboam 1989.147 front.jpg

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Original file ‎(3,762 × 6,827 pixels, file size: 932 KB, MIME type: image/jpeg)

Captions

Captions

Guitar, French, attributed to Jean-Baptiste Voboam, profile of the front. internal barring structure is not represented here. (MET, 1989.147)

Summary[edit]

Guitar  wikidata:Q29385674 reasonator:Q29385674
Artist
Attributed to Jean-Baptiste Voboam   wikidata:Q75863365
 
Description guitar maker
Authority file
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Guitar
Object type lute Edit this at Wikidata
Description
French; Guitar; Chordophone-Lute-plucked-fretted
Date 1697
date QS:P571,+1697-00-00T00:00:00Z/9
Medium Spruce, tortoiseshell, mother-of-pearl, ivory, ebony
Dimensions

Height: 38 1/8 in. (96.9 cm)

Width: 9 13/16 in. (25 cm)
institution QS:P195,Q160236
Current location
Musical Instruments
Accession number
1989.147
Credit line Purchase, Clara Mertens Bequest, in memory of André Mertens, 1989
References
Source/Photographer

https://www.metmuseum.org/art/collection/search/503930

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

Other versions
  • Guitar MET DT1108a.jpg
    Guitar MET DT1108a.jpg
  • Guitar MET Voboam 1989.147 front.jpg
    Guitar MET Voboam 1989.147 front.jpg
  • Guitar MET Voboam 1989.147 Back.jpg
    Guitar MET Voboam 1989.147 Back.jpg
References
InfoField
  • Jean-Baptiste Voboam [attributed to] (1697). [1989.147] Guitar. France:.
    "​The back, sides, neck, and peghead of this guitar are overlaid with tortoiseshell, ebony, and ivory chevrons with framed scrollwork, lozenges, and geometric banding and edging. The top has a gilded rosette bordered by a band of mother-of-pearl ornaments. Originally strung with five pairs of strings, this instrument was converted in the late eighteenth or early nineteenth century to six single courses. "

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