File:Double portrait of Guidobaldo II della Rovere, Duke of Urbino, and his son, Francesco Maria II.JPG

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Summary[edit]

Titian: "Double portrait of Guidobaldo II della Rovere, Duke of Urbino (1514-1574), and his son, Francesco Maria II (1549-1631), full-length"   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Titian  (1490–1576)  wikidata:Q47551 s:it:Autore:Tiziano q:en:Titian
 
Titian
Alternative names
Tiziano Vecelli; Tiziano Vecellio
Description Italian painter, drawer, architectural draftsperson and printmaker
Date of birth/death between 1485 and 1490
date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1485-00-00T00:00:00Z/9,P1326,+1490-00-00T00:00:00Z/9
 27 August 1576 Edit this at Wikidata
Location of birth/death Pieve di Cadore Venice
Work location
Venice (1498), Ferrara, Mantua, Padua (1511), Milan (1540), Rome (1545–1546), Florence (1546), Augsburg (1548, 1550–1551), Constantinople (today Istanbul) (1555-1557)
Authority file
artist QS:P170,Q47551
Title
"Double portrait of Guidobaldo II della Rovere, Duke of Urbino (1514-1574), and his son, Francesco Maria II (1549-1631), full-length"
Object type painting
object_type QS:P31,Q3305213
Description
English: Portrait of Guidobaldo II della Rovere (1514-1574) and his son Francesco Maria II della Rovere, Duke of Urbino (1549-1631).
"This portrait is one of only a handful of whole-lengths by Titian. Venetian convention discouraged statements of the kind and, with the possible exception of the portrait in the Uffizi (Wethey, op. cit., no. 52), wrongly identified as of Diego Hurtado de Mendoza, all the artist’s whole-lengths are of sitters of elevated rank: the three portraits of the Emperor Charles V (Madrid, Prado; and Munich, Alte Pinakothek); that of his son, King Philip II of Spain (fig. 2; Madrid, Prado), of which there are two partly autograph variants (Naples, Museo di Capodimonte; and Florence, Palazzo Pitti); the portrait of Giovanni Francesco Acquaviva d’Aragona, exiled Duke of Atri (Kassel, Staatliche Kunstsammlung); that of Cardinal Cristoforo Madruzzo, who exercised secular power as Bishop of Trent (Sao Paolo, Museu de Arte de São Paulo); The Allocution of Alfonso d’Avalos, Marchese del Vasto (Madrid, Prado); The Vendramin Family in Adoration of a Relic of the True Cross (London, National Gallery), a statement of religious devotion as much as a strict portrait group; the Farnese group (referred to above); and the present picture, which is the only work of the kind not held by a public institution." [1]
Date 16th century
date QS:P571,+1550-00-00T00:00:00Z/7
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 198 cm (77.9 in); width: 113 cm (44.4 in)
dimensions QS:P2048,198U174728
dimensions QS:P2049,113U174728
Object history

Provenance:

  • The Malaspina family (Elizabeth della Rovere, sister of Guidobaldo II, who married Alberico I Cybo Malaspina, Marchese di Massa and Carrara).
  • Abate Luigi Celotti, Venice, until 1837.
  • Count Anatole Demidoff, Prince of San Donato (1812-1875), San Donato, Florence, 1837; his sale, Hotel Drouot, Paris, 3-4 March 1870, lot 187 (17,500 francs).
  • Hugh Lupus Grosvenor, 3rd Marquess of Westminster, later 1st Duke of Westminster (1825-1899), 1870, and by descent at Grosvenor House, and elsewhere to his grandson,
  • Hugh Richard Arthur, 2nd Duke of Westminster (1879-1953); (†) Sotheby’s, London, 24 June 1959, lot 17 (?24,000).
  • with Matthiesen Gallery, London, by 1962, where acquired by the present owner.
  • Auction: 7 July 2016 [2]
  • Auction: Christie's, LotFinder: entry 6136767, Sale 15654, New York, 19 April 2018, Old Masters Part I, lot 31, The property of a european lady
Exhibition history
  • London, Royal Academy, Exhibition of Works by the Old Masters, 1871, no. 139.
  • Stockholm, Nationalmuseum, Konstens Venedig: utställning anordnad med anledning av Konung Gustaf VI Adolfs attioarsdag, 20 October 1962-10 February 1963, no. 95.
  • Naples, Museo di Capodimonte, Tiziano e il ritratto di corte da Raffaelo a Carracci, 25 March-4 June 2006, no. 31.
  • Paris, Musee du Luxembourg, Titien: Le pouvoir en face, 13 September 2006-21 January 2007, no. 29.
Inscriptions inscribed S-R-E- / SURP (upper left, on the banderole)
Source/Photographer

2. https://www.mutualart.com/Artwork/Double-portrait-of-Guidobaldo-II-della-R/987AC328E87A0052

1. https://archive.is/857Ef

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

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Date/TimeThumbnailDimensionsUserComment
current17:24, 3 January 2022Thumbnail for version as of 17:24, 3 January 2022578 × 1,024 (296 KB)Ecummenic (talk | contribs)larger
11:26, 12 May 2018Thumbnail for version as of 11:26, 12 May 2018285 × 500 (29 KB)Slowking4 (talk | contribs){{artwork |artist = {{creator:Tiziano Vecellio}}, called Titian (Pieve di Cadore c. 1485/90-1576 Venice) |title = Double portrait of Guidobaldo II della Rovere, Duke of Urbino (1514-1574), and his son, Francesco Maria II (1549-1631), full-length |medium = oil on canvas |dimensions = 78 x 44 ½ in. (198 x 113 cm.) |inscriptions = inscribed ‘S-R-E- / SURP’ (upper left, on the banderole) |object history = Provenance :The Malaspina family (Elizabeth della Rovere, sister of Guidobaldo II, who marr...

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