File:A small Qajar lacquer painting depicting a British officer surrendering to the Emperor Napoleon and his marshals, signed by Zain al-Abidin, Persia, second half of the 19th Century.jpg

English: A small Qajar lacquer painting depicting a British officer surrendering to the Emperor Napoleon and his marshals, signed by Zain al-Abidin

Persia, second half of the 19th Century

Lacquer on board, signed in nasta'liq script, framed 63 x 93 mm.

It has been suggested that the painting is a copy of a French print. See N. D. Khalili, B. W. Robinson & T. Stanley, Lacquer of the Islamic Lands, Part Two, Oxford 1997, pp. 120-121, no. 324, for a set of playing cards of this date, some of which depict European soldiers in uniforms of the Napoleonic period.

The artist of this painting may be identified with a certain Zayn al-'Abidin Afshar, who is only known by his two recorded works: a book cover in the Majlis Library, Tehran, depicting a Shaykh with a student, and a watercolour painting depicting the Qa'ba, in the Gulistan Palace Library, Tehran. Both are dated AH 1235/AD 1819-20. Karimzadeh comments that the style of painting seen in the Majlis Library piece indicates that the artist must have been a student of Muhammad Zaman II. (see M. A. Karimzadeh-Tabrizi, The Lives and Art of Old Painters of Iran, vol. 1, London 1985, pp. 214-15). However, a comparison between the present painting and the works of Muahmmad Zaman II (M. A. Karimzadeh-Tabrizi, The Lives and Art of Old Painters of Iran, vol. 2, London 1990, pp. 814-16, figs. on pp. 997-8), does not reveal any real similarities.

Another painter, Zayn al-'Abidin Isfahani, was a painter of 'flowers and birds' and his recorded works are dated between AH 1270/AD 1853-54 and AH 1289/AD 1872-73. (See N. D. Khalili, B. W. Robinson, T. Stanley, Lacquer of the Islamic Lands, Part Two, Oxford 1997, nos. 292, 293 & 297). No. 297 has small landscape scenes, but the style is very different.