File:A new history of painting in Italy, from the second to the sixteenth century (1864) (14785379073).jpg

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Identifier: newhistoryofpain02crow (find matches)
Title: A new history of painting in Italy, from the second to the sixteenth century
Year: 1864 (1860s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897
Subjects: Painting
Publisher: London, J. Murray
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Text Appearing Before Image:
istered tempera onpanel, appears to have been produced by means differentfrom those peculiar to the Pollaiuoli or Baldovinetti. Itseems to be the patiently elaborated piece of a youngbeginner, who could afford to. lavish time anft finish upondetails of borders, pearls, jewels, locks and feathers.4 Itstands clearly lower in the scale of art than the injuredfrescos of the walls. The masterpiece of our artists, according to Vasari, isthe martyrdom of S. Sebastian, an altar table completed in1475 for Antonio Pucci in the family chapel at the S.S. 1 Vas. Vol. V. p. 95. 2 Memoriale, ub. sup. p. 17. 3 The chapel was consecrated,according to an inscription onthe arch, on the 11th of Oct. 1456.Rumohr, Forschungen. Vol.II. p. 269. 4 Each lock of hair hangs in atwist by the side of the other, andthe hairs are minutely lined. Thefeathers of the angels wings areworked out with similar detail.The same may be said of the or-naments. The best part of thepicture is the profile of the angel. Vol. II p.
Text Appearing After Image:
THE MARTYRDOM OF S. SEBASTIAN; a picture in the National Gallery, by Pollaiuolo. Chap. XVI. MARTYRDOM OF S. SEBASTIAN. 393 Annunziata, and intended to immortalize Gino di Lodo-vico Capponi under the features of the saint.1 Thosewho have daily occasion to see this picture in the Na-tional Gallery2 may admit that it displays an activityand variety of life in the muscular action of the archers,in the sportive caracoles of horses, which remind one ofDonatellos bas-relief for the pediment of the S. Georgeat Orsanmichele. The figure of the martyred saint is afine study of a fairly proportioned nude; but the imitationof a common nature in the coarse extremities and swollenveins or muscles, is quite as apparent as the vulgarity oftype and forms in the saint and his tormentors. It is apiece highly characteristic of the manner of the Pollaiuoli,but one in which the pictorial element is impressed withmore force than upon foregoing examples. It is charac-teristic, not merely because of the life a

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Date
Source https://www.flickr.com/photos/internetarchivebookimages/14785379073/
Author Internet Archive Book Images
Permission
(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
2
Flickr tags
InfoField
  • bookid:newhistoryofpain02crow
  • bookyear:1864
  • bookdecade:1860
  • bookcentury:1800
  • bookauthor:Crowe__J__A___Joseph_Archer___1825_1896
  • bookauthor:Cavalcaselle__G__B___Giovanni_Battista___1820_1897
  • booksubject:Painting
  • bookpublisher:London__J__Murray
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:437
  • bookcollection:brigham_young_university
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014

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This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14785379073. It was reviewed on 26 July 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

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