File:Workshop of Paolo di Giovanni Fei - Chalice - Walters 44223 - Detail G.jpg

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anonymous: Chalice   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Workshop of Paolo di Giovanni Fei  (1345–1411)  wikidata:Q1361116
 
Workshop of Paolo di Giovanni Fei
Alternative names
Frederici; Paolo Di Giovanni Fei; Paolo di Giovanni Frederici; Frederici Fei
Description Italian painter
Date of birth/death circa 1345
date QS:P,+1345-00-00T00:00:00Z/9,P1480,Q5727902
circa 1411
date QS:P,+1411-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death San Quirico d'Orcia Siena
Work period 1355 Edit this at Wikidata–1411 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q4233718,P1774,Q1361116

Workshop of Giacomo da Siena (Italian, 14th century)
Title
Chalice
Description
English: Family workshops were very common among goldsmiths, which can sometimes make attribution difficult. One of the most celebrated fourteenth-century goldsmiths, Tondino (active 1308-ca. 1338) was the son of a goldsmith, named Gerrino. Tondino's brother and son, both named Giacomo, were also in the profession. This chalice with the busts of the apostles was likely produced in that workshop, signed by Giacomo of Siena who might be either the son or the grandson of the elder Guerrino. The extent of the collaboration between this Giacomo and Paolo di Giovanni, whose name also appears on the chalice, is uncertain. Paolo could have been a permanent member of the workshop or an associate engaged only occasionally for specific commissions. The chalice is enhanced by the addition of basse-taille enamels, a technique developed in Italy during the late thirteenth century in which translucent enamels are applied to metal surfaces that have been chased and engraved in low relief, producing a brilliant, painterly effect. Siena was widely known as an important center for the production of basse-taille enamels.
Date 14th century
date QS:P571,+1350-00-00T00:00:00Z/7
(Middle Ages
era QS:P2348,Q12554
)
Medium silver, gilded copper, "basse-taille" enamel
Dimensions height: 22.4 cm (8.8 in); width: 13.5 cm (5.3 in); depth: 13.5 cm (5.3 in)
dimensions QS:P2048,22.4U174728
dimensions QS:P2049,13.5U174728
dimensions QS:P5524,13.5U174728
institution QS:P195,Q210081
Accession number
44.223
Place of creation Bologna, Italy (?)
Object history
Exhibition history The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. 1962. The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Walters Art Museum, Baltimore; Academy of the Arts, Easton, Easton; Princeton University Art Museum, Princeton; The Mitchell Gallery, Annapolis; Williams College Museum of Art, Williamstown. 2002. For This is My Body: The Medieval Missal. The Walters Art Museum, Baltimore. 2006-2007. Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Museum of Biblical Art, New York; Colby College Museum of Art, Waterville; Joslyn Art Museum, Omaha. 2008-2009.
Credit line Acquired by Henry Walters, 1913
Inscriptions [Signature] around the stem: Paulo di Giovani e [and] Iacomo de Seni
Source Walters Art Museum: Home page  Info about artwork
Permission
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Attribution: Walters Art Museum
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current01:24, 26 March 2012Thumbnail for version as of 01:24, 26 March 20121,800 × 1,687 (3.03 MB)File Upload Bot (Kaldari) (talk | contribs)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Paolo di Giovanni Fei|workshop of}} |title = ''Chalice'' |description = {{en|Family workshops were very common among goldsmiths, which can sometimes make ...

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