File:Workshop of Paolo di Giovanni Fei - Chalice - Walters 44223 - Detail G.jpg
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Captions
Summary
[edit]anonymous: Chalice ( ) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q4233718,P1774,Q1361116 Workshop of Giacomo da Siena (Italian, 14th century) |
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Title |
Chalice |
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Description |
English: Family workshops were very common among goldsmiths, which can sometimes make attribution difficult. One of the most celebrated fourteenth-century goldsmiths, Tondino (active 1308-ca. 1338) was the son of a goldsmith, named Gerrino. Tondino's brother and son, both named Giacomo, were also in the profession. This chalice with the busts of the apostles was likely produced in that workshop, signed by Giacomo of Siena who might be either the son or the grandson of the elder Guerrino. The extent of the collaboration between this Giacomo and Paolo di Giovanni, whose name also appears on the chalice, is uncertain. Paolo could have been a permanent member of the workshop or an associate engaged only occasionally for specific commissions. The chalice is enhanced by the addition of basse-taille enamels, a technique developed in Italy during the late thirteenth century in which translucent enamels are applied to metal surfaces that have been chased and engraved in low relief, producing a brilliant, painterly effect. Siena was widely known as an important center for the production of basse-taille enamels. |
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Date |
14th century date QS:P571,+1350-00-00T00:00:00Z/7 (Middle Agesera QS:P2348,Q12554 ) |
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Medium | silver, gilded copper, "basse-taille" enamel | ||||||||||||||||||||||||||
Dimensions |
height: 22.4 cm (8.8 in); width: 13.5 cm (5.3 in); depth: 13.5 cm (5.3 in) dimensions QS:P2048,22.4U174728 dimensions QS:P2049,13.5U174728 dimensions QS:P5524,13.5U174728 |
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Collection |
institution QS:P195,Q210081 |
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Accession number |
44.223 |
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Place of creation | Bologna, Italy (?) | ||||||||||||||||||||||||||
Object history |
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Exhibition history | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. 1962. The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Walters Art Museum, Baltimore; Academy of the Arts, Easton, Easton; Princeton University Art Museum, Princeton; The Mitchell Gallery, Annapolis; Williams College Museum of Art, Williamstown. 2002. For This is My Body: The Medieval Missal. The Walters Art Museum, Baltimore. 2006-2007. Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Museum of Biblical Art, New York; Colby College Museum of Art, Waterville; Joslyn Art Museum, Omaha. 2008-2009. | ||||||||||||||||||||||||||
Credit line | Acquired by Henry Walters, 1913 | ||||||||||||||||||||||||||
Inscriptions | [Signature] around the stem: Paulo di Giovani e [and] Iacomo de Seni | ||||||||||||||||||||||||||
Source | Walters Art Museum: Home page Info about artwork | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Licensing
[edit]This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
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Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue |
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current | 01:24, 26 March 2012 | 1,800 × 1,687 (3.03 MB) | File Upload Bot (Kaldari) (talk | contribs) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Paolo di Giovanni Fei|workshop of}} |title = ''Chalice'' |description = {{en|Family workshops were very common among goldsmiths, which can sometimes make ... |
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