File:William Carnegie (1756-1831), 7th Earl of Northesk RMG BHC4224.jpg

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Thomas Phillips: William Carnegie (1756-1831), 7th Earl of Northesk  wikidata:Q50863916 reasonator:Q50863916
Artist
Thomas Phillips  (1770–1845)  wikidata:Q422726 s:en:Author:Thomas Phillips
 
Thomas Phillips
Description English painter and portraitist
Date of birth/death 18 October 1770 Edit this at Wikidata 20 April 1845 Edit this at Wikidata
Location of birth/death Dudley London
Work location
London (1790–1845); Birmingham; Italy Edit this at Wikidata
Authority file
creator QS:P170,Q422726
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
William Carnegie (1756-1831), 7th Earl of Northesk Edit this at Wikidata
title QS:P1476,en:"William Carnegie (1756-1831), 7th Earl of Northesk Edit this at Wikidata"
label QS:Len,"William Carnegie (1756-1831), 7th Earl of Northesk Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: William Carnegie (1756-1831), 7th Earl of Northesk

(Updated September 2014) Carnegie, a younger son of the admiral sixth Earl of Northesk, entered the Navy in 1771 and became a captain in 1782. From 1788, after the death of his elder brothers, he was styled Lord Rosehill and he succeeded to the earldom in 1792. As captain of the 'Monmouth' during the Nore mutiny of 1797 he was sent by their committee of delegates as an emissary to the king but, their requests being denied by message, did not return in person to his ship as they had demanded. In 1803 he was appointed to the 'Britannia', 100 guns, initially under Cornwallis off Brest but remained in her when he became a rear-admiral in April 1804 (with Charles Bullen then joining him as her captain, see BHC2854) and was sent to reinforce Calder off Cadiz in August 1805. 'Britannia' thus came under Nelson's command on his return to that station and was seventh ship in his weather line at Trafalgar on 21 October 1805 (though in fact lying slightly out to port from it at the time of the attack), where Carnegie's seniority also made him the often-forgotten third-in-command, after Collingwood. He was criticized for being slow into action, probably unfairly since 'Britannia was old, notoriously slow and long out of dock, but she saw close fighting, mainly with the Spanish 'Santisima Trinidad' (130 guns), suffering 42 killed but only ten wounded. He also did sterling work in the storm that followed, taking crews off prizes ordered to be destroyed. For his services he was made a Knight of the Bath and also received the flag officer's gold medal, of which Collingwood's (see MED0159) is the only other one from Trafalgar, since Nelson's was stolen and probably melted down in 1900. He stayed ashore from 1806 but rose by seniority to Admiral of the White and Rear-Admiral of Great Britain in 1821. From 1827 to 1830 he was commander-in-chief at Plymouth and on his death was buried with Nelson and Collingwood in St Paul's Cathedral.

This portrait shows him, probably standing, wearing peer's robes over rear-admiral's full-dress uniform,1795-1812 pattern, with his right arm just visible resting on something. It is now a traditional 30 x 25 inch canvas but reduced from a larger one by cutting and folding round a new stretcher. It is unlined and bears a fine large painted inscription on the back, 'Earl of Northesk / T Phillips pinxt / 1805'. It is also a reused canvas, originally bearing a small-scale equestrian subject in the same orientation, since the head of a horse shows through the panelled background by Northesk's left shoulder (viewer's right). These features suggest it is the 'kit-cat' - normally 36 x 28 inches with one arm showing - noted in the NPG transcript of Phillips's sitter's book for 9 June 1805. The same source records another 'whole length' on 4 April 1807, paited for 15 guineas, as the one exhibited at the RA in that year, which suggests the dates are those on which the pictures were finished and approved.

At the time they were done Phillips was a rising society portraitist, elected ARA in 1804 and RA in 1808. According to Samuel Redgrave his portraits were 'characterised by simplicity of style and truthful finish, solid, and carefully executed'. That of Byron, the Romantic poet (in the NPG collection), is especially well known. From 1804 to his death in 1845 he lived and practised at 8 George Street, Hanover Square, having taken it over from the even more fashionable Sir William Beechey RA, who lived there from 1795. Beechey therefore presumably painted Nelson, in 1801 (see BHC2892), in the same studio that Phillips later did Northesk. The Northesk family sold his Trafalgar medal, documents and other memorabilia, and other items relating to his naval career at Sotheby's, London , on 13 December 1994.
Date 1805
date QS:P571,+1805-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 762 mm x 628 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC4224
Notes This portrait was seen entirely by chance in the catalogue for a Lawrence of Crewkerne (Somerset) auction of 30 October 1986, which I was sent just before the sale for an unrelated reason. We were all then surprised to note that NMM had no original portrait of Northesk; so, since the quality appeared good from the photo and time was short, a modest desk bid of £500 was placed 'sight unseen' . This, again surprisingly, succeeded though we assumed it hadn't and only realised otherwise when Lawrence's phoned to tell us about a week later, the underbidder being reportedly the commanding officer, or a former commanding officer, of either the RY 'Britannia' of the Britannia RN College ('Britannia' being Northesk's flagship at Trafalgar). The picture itself was only collected from their store later still when a van made a run to the Cornwall outstations.The fact it is painted over a 'horse portrait' was also spotted by chance while it was lying in natural raking light on the conservation studio table. [PvdM]
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/15637
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1986-4
id number: BHC4224
Collection
InfoField
Oil paintings

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current16:28, 15 September 2017Thumbnail for version as of 16:28, 15 September 2017958 × 1,152 (1.36 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1805), http://collections.rmg.co.uk/collections/objects/15637 #727

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