File:Tapiro 1891 Pentinat de la favorita.jpg

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Description Obra de Josep Tapiró i Baró, etapa a Tànger.
English: Painting made by the painter Josep Tapiró i Baró (1880-1913). The painting represents a young bride from Tangier (Morocco), dressed in her traditional Moroccan Caftan richly embroidered with gold thread. She wears on her head the noble headdress heir to the Mauro-Andalusian traditions and customs, called "Chedda of Tangier" (or in Moroccan language Chedda tanjaouia). She is accompanied in the preparation of her wedding, according to the Amazigh (Berber) traditions of Morocco by the nggagef (singular of neggafa, word of Tamazight origin) who, according to the centuries-old ancestral tradition of Morocco, prepare the bride. The main neggafa, called ma'llma who dictates under her authority the other nggagef or neggafates, is a white woman dressed in a Mansouria which is a feminine garment consisting of a Caftan and a transparent Dfina worn over it. The nggagef (or neggafates) who are under the authority of the ma'llma, are black women, recruited from among the slaves of the Kingdom. This work by the Spanish painter Obra de Josep Tapiró i Baró is of inestimable anthropological richness, in fact, the work accurately depicts the customs of the Kingdom of Morocco, but also the craftsmanship, the fabrics and the rich embroideries, the taâjira embroidery, symbolic of Andalusia, is also present.
Français : Taleau du peintre Josep Tapiró i Baró (1880-1913). Le tableau représente une jeune mariée de Tanger (Maroc), vêtue de son traditionnel Caftan marocain richement brodé au fil d'or. Elle porte sur sa tête la noble coiffe héritière des traditions et coutumes mauro-andalouse, appelée "Chedda de Tanger" (Chedda tangéroise ou en langage marocain Chedda tanjaouia). Elle est accompagnée dans la préparation de son mariage, selon les traditions Amazigh (berbère) du Maroc par les nggagef (singulier de neggafa, mot d'origine Tamazight) qui, selon la tradition séculaire ancestrale du Maroc, préparent la mariée. La neggafa principale, appelée ma'llma qui dicte sous son autorité les autres nggagef ou neggafates, est une femme blanche vêtue d'une Mansouria qui est un apparat féminin constitué de deux pièces ; un Caftan et une Dfina transparente portée par dessus. Les nggagef (ou neggafates) qui sont sous l'autorité de la ma'llma, sont des femmes noires, recrutées parmi les esclaves du Royaume. Cette œuvre du peintre espagnol Obra de Josep Tapiró i Baró est d'une richesse anthropologique inestimable, en effet, l'œuvre y dépeint avec précision les coutumes du Royaume du Maroc, mais aussi l'artisanat, les tissus et les riches broderies, la broderie taâjira, symbolique de l'Andalousie est également présente.
Date between 1880 and 1913
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1880-00-00T00:00:00Z/9,P1326,+1913-00-00T00:00:00Z/9
Source Scanned from Josep Tapiró, catàleg de l'exposició (2013-2014)
Author Josep Tapiró. Scanned by amadalvarez

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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current04:39, 14 April 2014Thumbnail for version as of 04:39, 14 April 2014465 × 640 (154 KB)Amadalvarez (talk | contribs)

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