File:Pourbus, Frans - Official portrait of Henry IV as King of France.jpg
Original file (1,500 × 1,658 pixels, file size: 677 KB, MIME type: image/jpeg)
Captions
Summary[edit]
Frans Pourbus the Younger: English: Official portrait of Henry IV, King of France. ( ) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q934540 |
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Photographer | |||||||||||||||||||||||||||
Title |
English: Official portrait of Henry IV, King of France. |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
Italiano: Il ritratto di Enrico IV, re di Francia, marito di Maria de' Medici, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici.
Nel 1611 Cristina di Lorena commissionò a Frans Pourbus il Giovane, pittore di corte della nipote Maria a Parigi, due ritratti: uno della regina, l'altro del re (cioè il figlio Luigi XIII). Per errore, però, Pourbus realizzò il ritratto del defunto marito, Enrico IV. Soddisfatta comunque del risultato – i due dipinti fanno ora parte della Galleria Palatina e sono esposti negli appartamenti reali – Cristina commissionò subito dopo altre due copie per la “serie aulica” degli Uffizi. Il ritratto di Enrico IV fu tolto dalla serie nel 1825 e rimessovi per breve tempo alla fine del secolo. Nel 1925 fu dato in deposito a Montecitorio, per tornare definitamente agli Uffizi nel 1996.English: The portrait of Henri IV, King of France, husband to Maria de' Medici, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici.
In 1611 Christina of Lorraine commissioned to Frans Pourbus the Younger, court painter of her niece Maria in Paris, two portraits: one of the queen, the other of the king (i.e. her son Louis XIII). Wrongly Pourbus painted her late husband, Henry IV. Anyhow, Christina was satisfied – the two portraits are now into the Galleria Palatina and are displayed in the Royal apartements – and commissioned immediately other two copies for the “serie aulica” of the Uffizi. Henry IV's portrait was removed from the series in 1825 and returned to it briefly in the end of 19th century. In 1925 it was given in deposit to Montecitorio and came back to the Uffizi definitively in 1996. |
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Date |
1613 date QS:P571,+1613-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 135 cm (53.1 in); width: 122 cm (48 in) dimensions QS:P2048,135U174728 dimensions QS:P2049,122U174728 |
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Collection |
institution QS:P195,Q51252 |
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Current location |
2nd floor, Second Corridor - "Corridor facing the River Arno" |
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Accession number |
Inv.1890: 5232 |
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Source/Photographer | Self-photographed, 2017-06-02 8:14:00 | ||||||||||||||||||||||||||
Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:28, 9 June 2017 | 1,500 × 1,658 (677 KB) | Kaho Mitsuki (talk | contribs) | =={{int:filedesc}}== {{Artwork |artist = {{Creator:Frans Pourbus (II)}} |title = {{en|'''Official portrait of Henry IV, King of France'''.}} |description ={{it|1=Il ritratto di Enrico VI, re di Francia, marito di Maria de' Med... |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon EOS 1300D |
Exposure time | 1/80 sec (0.0125) |
F-number | f/5.6 |
ISO speed rating | 2,500 |
Date and time of data generation | 08:14, 2 June 2017 |
Lens focal length | 46 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
File change date and time | 22:08, 9 June 2017 |
Exposure Program | Not defined |
Exif version | 2.3 |
Date and time of digitizing | 08:14, 2 June 2017 |
APEX shutter speed | 6.375 |
APEX aperture | 5 |
APEX exposure bias | 0 |
Maximum land aperture | 5.187358184765 APEX (f/6.04) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 15 |
DateTimeOriginal subseconds | 15 |
DateTimeDigitized subseconds | 15 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 5,728.1764705882 |
Focal plane Y resolution | 5,808.4035087719 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Structured data
Items portrayed in this file
depicts
- Paintings by Frans Pourbus the Younger in the Uffizi Gallery
- Serie aulica
- Henry IV by Frans Pourbus
- 17th-century portrait paintings in Italy
- Ermine (clothing) in art
- 17th-century men looking at viewer in art
- Portraits holding sceptres
- 17th-century fur fashion
- Italian paintings with male fur clothing
- Portrait paintings with ermine (clothing)