File:Nicolai Abildgaard, Den sårede Filoktet, 1775, KMS586, Statens Museum for Kunst.jpg

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Nicolai Abildgaard: The Wounded Philoctetes  wikidata:Q7776245 reasonator:Q7776245
Artist
Nicolai Abildgaard  (1743–1809)  wikidata:Q319854
 
Nicolai Abildgaard
Description Danish painter, designer, architect, sculptor, university teacher and furniture designer
Date of birth/death 11 September 1743 Edit this at Wikidata  Edit this at Wikidata
Location of birth/death Copenhagen Copenhagen
Work location
Rome (1772–1777); Copenhagen (1764) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Den sårede Filoktet

The Wounded Philoctetes
title QS:P1476,da:"Den sårede Filoktet"
label QS:Lda,"Den sårede Filoktet"
Object type painting
object_type QS:P31,Q3305213
Genre nude Edit this at Wikidata
Description
Dansk: Den sårede Filoktet
Date 1775
date QS:P571,+1775-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,326 mm (52.20 in); width: 1,826 mm (71.88 in)
dimensions QS:P2048,1326.0U174789
dimensions QS:P2049,1826.0U174789
institution QS:P195,Q671384
Accession number
KMS586
Object history
  • Dansk: I kunstnerens eje indtil hans død i 1809. Dennes enke Juliane Marie indtil hendes død i 1848. Købt af Den Kongelige Malerisamling fra hendes dødsbo i 1849.
  • 31 December 1849: acquired by Statens Museum for Kunst
Exhibition history
Inscriptions
fnth. [med fremmed hånd]: N.Abildgaard malet i Rom
[på klippen, på græsk]: Nikolai, Sørens [søn], københavneren, gjorde [dette billede]
Notes
  • Dansk: Værkdatering: (1775)
  • Dansk: Katalognumre:

- Statens Museum kat. 1864 nr. 503 - Statens Museum kat. 1870 nr. 508 - Statens Museum kat. 1875-88 nr. 504 - Statens Museum kat. 1894 nr. 461 - Statens Museum kat. 1896 - 03 - 04 - 08 nr. 397 - Statens Museum kat. 1917 - 24 - 26 - 34 - 44 - 46 nr. 1

- Ældre dansk malerkunst 1970
References
  • Ubekendt (1932-1940) Artes: monuments et mémoires, Bd. VI, 1939, p. 145f, Ill. Artikel af H. Bramsen., 11367
  • Charlotte Hintze (1937) Kopenhagen und die deutsche Malerei um 1800, Ill. p. 31., 13826
  • Niels Laurits Høyen (1871-76) Skrifter: udg. ved J. L. Ussing, Bd. III, p. 202., 1396
  • Leo Swane (1937) Bemærkninger om Abildgaard som maler, p. 5 f., 15141
  • P. L. Møller (date unspecfied) Om maleren Abildgaard, p. 180., 15558
  • Julius Lange (1900-1903) Udvalgte Skrifter: 1-3, Bd. I, p. 89f, Ill. p. 107, 1606
  • August Hennings (1778) Essai historique sur les arts et sur leur progrès en Dannemarc, P. 143., 1651
  • Ch. A. Been (1902-1903) Danmarks Malerkunst 1-2: Billeder og Biografier, Ch. A. Been i Danmarks Malerkunst, omtale og ill. p. 13., 1678
  • Patrick Kragelund (1999) Abildgaard=abildgård: kunstneren mellem oprørerne, Ill. p. 211, 215 (s/h, udsnit), 221 (s/h, udsnit). Omtales p. 18, 19, 49, 54, 62, 128-130, 185, 193, 210-224, 400, 483, 524., 2000-057
  • Ubekendt (1999) Viljen til det menneskelige: tekster omkring Julius Lange, omt. p.165, 2000-135
  • Ubekendt (2000) Art in Rome in the eighteenth century, p. 304-305, kat. 161, afb. (f), 2000-357
  • Erik Fischer (date unspecfied) Abildgaard's Filoktet og Lessing's Laokoon, p. 77-102, ill., 2002-263
  • Per Jonas Nordhagen (2002) Ved kildene: en anmeldelse av Patrick Kragelund "Abildgaard. Kunstneren mellem oprørerne", afb. p.83 med kort billedtekst. ang. Patrick Kragelunds forskning om Abildgaard, p. 82-104, 2002-510
  • Michael Koch (2001) Ludwig Schwanthalers Marmorskulptur des leidenden Philoktet für das Prinz Karl-Palais in München: Münchner Jahrbuch der bildenden Kunst, Sonderdruck, Dritte Folge, Band 52, 2001, Omt. p. 195-95, afb. p. 196, 2003-056
  • Philip Conisbee (2003) Christoffer Wilhelm Eckersberg, 1783-1853, omtalt p. 32-33, afb. (farve) p. 32, 2003-471
  • Hans Edvard Nørregård-Nielsen (2003) Dansk kunst: tusind års kunsthistorie, omt. p. 176- 177 og afb. p. 177, 2003-520
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt. og afb. p. 67, 2005-071
  • Peter Michael Hornung (2005) C.W. Eckersberg: dansk malerkunsts fader, afb. og omt. p. 64, 2005-383
  • Ragnar Josephson (1956) Sergels fantasi: 1-2, Bd. I, p. 225., 24465
  • Niels Th. Mortensen (1957) Ny dansk Billedkunst, ill. p. 39, 25107
  • Robert Rosenblum (1967) Transformations in late eighteenth century art, P. 13, 15. Fig 7., 33261
  • Gert Schiff (1973) Johann Heinrich Füssli 1741-1825, p. 80., 43450
  • Nancy L. Pressly (cop. 1979) The Fuseli circle in Rome: early Romantic art of the 1770s, Ill. p. 65., 47119
  • Ubekendt (1983) C.W. Eckersberg i Rom 1813-16, C. Christensen i "C.W. Eckersberg i Rom 1813-16", p. 39., 50635
  • Laus Strandby Nielsen (1975) Litteraire billeder: en Abildgard-skitse, p. 24., 60277
  • Robert Rosenblum (1976) The international style of 1800: A study in linear abstraction, p. 41ff, Ill. p. 260, 60497
  • Hakon Lund (1978) En bog om kunst til Else Sass, Kristian Jacobsen: "Var Abildgaards romer en græker?", in: En bog om kunst til Else Kai Sass, p. 276-289. Ill. p. 282, 62475
  • Ubekendt (cop. 1982) Rom er et fortryllet bur: den gyldne epoke for skandinaviske kunstnere i Rom, Ill. p. 25. Omtales p. 81., 65168
  • Stella Rudolph (1983) La pittura del '700 a Roma, Ill. pl. nr. 1., 65686
  • Thomas la Brie Sloan (1972) Neoclassical and Romantic painting in Denmark, 1754-1848, p. 41-, 66193
  • Else Kai Sass (1986) Lykkens Tempel: et maleri af Nicolai Abildgaard: with a summary in English, Omtalt p. 9-14, ill. p. 13., 86-147
  • Jean Clay (1981) Romanticism, p. 260, fig. 472., 87-131
  • Peter Holst (1983-85) Dansk litteratur historie, Bd. 4, Ill. p. 411, 88-168
  • Neil Kent (cop. 1987) The triumph of light and nature: Nordic art 1740 - 1940, Omtalt og afb. p. 13-15, 88-90
  • Jørgen Andersen (1989) De år i Rom: Abildgaard, Sergel, Füssli : with a summary in English, Omtales p. 86-97. Ill. p. 88 (s/h), 92 (s/h, udsnit), 93 (s/h, udsnit)., 89-594
  • Bente Scavenius (1989) At læse billeder, p. 54, ill., 89-660
  • Patrick Kragelund (1991) Thorvaldsen: l'ambiente, l'influsso, il mito, p. 183-185, 9191
  • Mogens Nykjær (1991) Kundskabens billeder: motiver i dansk kunst fra Eckersberg til Hammershøi, s. 12-13, p. 96, fig.49, 92-133
  • Kasper Monrad (1994) Dansk guldalder: hovedværker på Statens Museum for Kunst, p. 32-33 (ill.)., 94-370
  • Per Kirkeby (1993) N.A. Abildgaard, Ill. p. 81. Omtales p. 80., 94-44
  • Poul Erik Tøjner (1999) Museernes bedste billeder, p. 178, ill., 99-221
  • Charlotte Christensen (1999) Maleren Nicolai Abildgaard, p.7-8 (scenen er hentet fra Illiaden), afb. p.8 (f), p.9 (relateres til James Barrys "Filoktetes"), p.9-10 (citatrigdommen sammenlignes med appropriationskunst), p.12ff (billedet relateres til tidens kunstteoretiske debat: Winckelmann, Lessing og Wiedewelt), p.24ff (værkets kilder gennemgås), p.36-39 (værkets reception), omt. p.61, omt. p. 110, omt. p. 111, omt. p.114, omt. p.145, omt. p.227, 99-498
  • Per Kirkeby (2009) Per Kirkeby, afb. p. 22; omt. p. 22-25, B 6271
  • Ubekendt (1948-) Record of the Art Museum, Princeton University, fig. 13, omt. + ill. p. 35, C 10243 ti
  • Kasper Monrad ([1990]) Mellem guder og helte: historiemaleriet i Rom, Paris og København 1770-1820, Ill. p. 10. Omtales p. 10-12, 17, 101. Katalog nr 1., C 18115
  • Poul Erik Tøjner (1998) Per Kirkeby: maleri, Omt. og ill. p. 96, C 23273 B
  • Bodil Billeskov Bøving (2002) Ord og billede: ti temaer i dansk kunst gennem 500 år, afb. p. 55 (f), omt. p. 54, C 26014
  • Knut Ljøgodt (2005) Fra gullalder til cobra: dansk kunst i 150 år, omt. p. 52, 68, C 30890
  • Patricia G. Berman (2007) Nyt lys over 1800-tallets danske maleri, ill. p. 30-31, omt. p. 30f: fig 15. "..eksempel på hans (Abildgaards) belæsthed. Kunsthistorikeren Patrick Kragelund betragter dette maleri som Abildgaards kunstnerikse manifest.", C 39042
  • Patricia G. Berman (2007) In another light: Danish painting in the nineteenth century, afb. p. 30-31 og omt. p. 30 og 32, C 39045
  • Ubekendt (2008) Abildgaard=abildgård, 1743-1809, kat. nr. 3, omt. p 44 f., ill. p. 45, C 42692
  • Ubekendt (2009) Nicolai Abildgaard: der Lehrer von Friedrich und Runge, kat. 3, omt. p. 48-49, ill. p. 49, C 43272
  • Thomas Lederballe (2009) Nicolai Abildgaard: revolution embodied, Engelsk katalogversion af den danske med undertitlen: "Revolution Embodied", C 43956
  • Thomas Lederballe (2009) Nicolai Abildgaard: Kroppen i oprør, Omt. s. 8, 10-11 (Lederballe bruger Filoktet som intro-figur for bogen med undertitlen "Kroppen i oprør"), s. 24-35 (historisk analyse med henvisning til forskellige forlæg og Filoktet-fremstillinger), s. 210-227 (aktualiserende fortolkning af værket). Afb. s. 23, 211 og 246 (kat. 4) og i udsnit på omslaget og s. 12-13, 15, 153, 209, 246., C 44316
  • Ubekendt (2010) L'antiquité rêvée: innovations et résistances au XVIIIe siècle, fig. 148, omt. p. 328, ill. p. 329, C 47779
  • Ubekendt (1993-1996) Ny dansk kunsthistorie, Bd. 3, p. 69., D 22097
  • Ubekendt (2007) Kongerækken i kunsten: De Kongelige Repræsentationslokaler på Christiansborg slot, fig. 32, afb. p. 18, omtalt samme sted i forbindelse med Bjørn Nørgaards gobeliner., D 33315
  • Kasper Monrad (1993) The Golden Age of Danish Painting, kat. 1.
  • Erik Mortensen (1990) Kunstopfattelsens og kunstkritikkens historie i Danmark, Bd. I, p. 73.
  • Elsa Gress (1969) Philoctetes wounded and other plays: Front and back paintings and drawings in the text by N.A. Abildgaard, p. 5-69. Ill. på omslag.
  • Henrik Holm (2007) Kanon og kunsten for kunstnens egen skyld, omt. p. 12, afb. p. 13
  • Eva Friis (1996) 100 mesterværker, Kasper Monrad: p. 88, Ill. p. 89., k1996-233
  • Stig Brøgger (1980) Enten eller: Sophienholm, 11. Oktober 1980 - 25. Januar 1981, pp. 45-56 (kopi/gentagelse)., ka2002-379
  • Agnès de Gorter (2013) Le Romantisme, afb. p. 91
  • Guy Cogeval et. al. (2013) Masculin / Masculin: L'homme nu dans l'art de 1800 à nos jours, afb. p. 59 (fig. 39), omt. p. 49f
  • Ger Luijten (2016) C.W. Eckersberg 1783-1853: Artiste Danois à Paris, Rome & Copenhague, afb. p. 70, omt. p. 69
  • Troels Filtenborg (2014) Between Formula and Freestyle, Nicolai Abildgaard and 18th-century Painting Technique, p. 45
  • Chris Fischer (2018) Kunstværkets tilblivelse, kat. nr. 86, fig. 141
  • Mette Harbo Lehmann (2022) Krøyer og Paris. Franske forbindelser og nordiske toner, afb. p. 195 fig. 18
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