File:Marlinski oil painting triptych red green blue.jpg

English: A large painting on three canvasses. The first layers of paint outlined an eye that spans all three canvasses, which is not any less symbolical than the vertical consideration of the same outline. These symbols together create the most fertile conditions for other ideas to arise.

Each brushstroke is a life in itself. These lives all affect each other on canvas, so do they influence each other in real life. Each “life” in this painting has a ripple effect that either goes through hundreds of other strokes or simply fades to silence in a shorter sequence.

An ode to multiplicity of meanings. The duality of what we consider “real” and what we consider “possible” in the most impossible of our dreams are those two masks. The two big masks are our prisms, our eyes. They extend over canvasses – same as our perception of reality extends over the picture that we see at any given moment.

Perfection is a flaw. A unitary piece it is – made of two masks on three canvasses. The three prevailing colors on three canvasses are quite large, but in a way they are not more than just one RGB pixel. The two masks look at us just like the two eyes that look back at them. Are even mathematical truths fallible? Is two equal one equal three: 3=2=1?

If “God” wore a mask – this would be it.

It’s a portrait of the concept of family. Multiplicity in unity and vice versa. Interconnected and influenced by each other, each meaning is not without the others.