File:Le costume historique. Cinq cents planches, trois cents en couleurs, or et argent, deux cents en camaieu. Types principaux du vêtement et de la parure, rapprochés de ceux de l'intérieur de (14577443510).jpg

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Identifier: lecostumehistori03raci (find matches)
Title: Le costume historique. Cinq cents planches, trois cents en couleurs, or et argent, deux cents en camaieu. Types principaux du vêtement et de la parure, rapprochés de ceux de l'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc
Year: 1888 (1880s)
Authors: Racinet, A. (Auguste), 1825-1893
Subjects: Costume Costume
Publisher: Paris, Firmin-Didot et cie
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

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hotographiques de MM. Prodliom, à Bûne, Boyer, à Alger, J. Garrigphotographe de S. A. le bey, à Tunis. Aquarelles de M, J. Bastinos. Voir pour le texte: Moeurs et coutumes de lAlgérie, par le Général Damnas; Histoire et description de lAl-gérie, par M. L. Piesse; Voyage à Tunis, par M. Amable Crapelet, Hachette; LAlgérie, par M. E. Carette,Didot; LAlgérie française, 2 ^f- Arsène Berteuil, Dentu, APRICA -AFRIQUE A P R ï KA
Text Appearing After Image:
Urrai.ieaa Iid AFRIQUE POPULATIONS DU LITTOKAL ALGÉEIEN Les figures n° 1 et 2 représentent des danseuses de profession. La danse est, en eifet,abandonnée chez les Arabes au peuple, aux esclaves et à des femmes qui en font métier.CeUes-ci se divisent en deux classes, dont lune ne va que dans les maisons riches et dontlautre court les rues. Les aouâlem du premier rang font la grande distraction des harems ;les paroles de leurs chants sont décentes et leur danse ne se compose que de poses et demouvements gracieux; leurs pieds ne quittent pas le sol. Les unes dansent pendant que lesautres chantent en saccompagnant du tambour de basque ou du darâioulcMh, ou enfin dela petite mandoline, taniour houlghâry, dont nous donnons la description plus bas. Ce chantest mélancolique, et on repète le même air douze ou quinze fois, jusquà ce que la fatigueoblige la danseuse à sarrêter. Les aoîcâlem publiques ne se trouvent que dans les villes ; on leur donne le nom parti-culier de glia

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  • bookid:lecostumehistori03raci
  • bookyear:1888
  • bookdecade:1880
  • bookcentury:1800
  • bookauthor:Racinet__A___Auguste___1825_1893
  • booksubject:Costume
  • bookpublisher:Paris__Firmin_Didot_et_cie
  • bookcontributor:Smithsonian_Libraries
  • booksponsor:Smithsonian_Libraries
  • bookleafnumber:310
  • bookcollection:smithsonian
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28 July 2014
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