File:King-wives-and-eunuchs.jpg
Original file (3,972 × 3,270 pixels, file size: 5.36 MB, MIME type: image/jpeg)
Captions
Summary[edit]
DescriptionKing-wives-and-eunuchs.jpg |
English: In this photo taken and captioned by the king himself, a group of his wives and eunuchs are shown inside the harem garden in one of the royal complexes in north Tehran, Shahrestanak. The five African slaves include two adults, probably Ethiopian, and three adolescents: Haji Bilal (the first adult African slave from the right), Maqrur Khan (the fourth adult African slave from the right), Ismail Khan (the first adolescent white slave from the right), Haji Rahim (the second white slave from the right, head of the harem slaves), 1883. Photograph: Nasser al-Din Shah/Photo Archive, Golestan Palace Museum, Tehran, Iran
فارسی: این عکس توسط شاه گرفته شده و یادداشتنویسی شده است. گروهی از زنان شاه و خواجگان داخل باغ حرمسرا در عکس نمایش داده میشوند، داخل مجموعهٔ کاخهای شمال تهران، شهرستانک. پنج بردهٔ آفریقایی در این عکس قرار دارند که دو نفر از آنها بزرگسال هستند و احتمالاً از اتیوپی آمدهاند و سه نفر دیگر نوجوان هستند: حاجی بلال (سمت راست)، اسماعیلخان (بردهٔ سفیدپوست نفر اول از سمت راست)، مغرورخان (بردهٔ آفریقایی نفر چهارم از سمت راست)، حاجی رحیم (بردهٔ سفیدپوست نفر دوم از سمت راست، رئیس بردگان حرمسرا) ۱۸۸۳.
عکاس: ناصرالدین شاه - آرشیو عکس، کاخ موزهٔ گلستان، تهران، ایران. |
Date | |
Source | https://www.theguardian.com/world/iran-blog/2016/jan/14/african-slavery-in-qajar-iran-in-photos |
Author | African slaves in Iran during the Qajar era were often eunuchs. Their dress suggests that they belonged to the king or high-ranking members of his court. |
Licensing[edit]
Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information). | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
[[Category:Photographs of slaves in Iran
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 11:47, 6 October 2020 | 3,972 × 3,270 (5.36 MB) | Remitamine (talk | contribs) | Higher resolution version | |
18:42, 15 September 2020 | 1,210 × 996 (50 KB) | Matt morphy (talk | contribs) | Uploaded a work by African slaves in Iran during the Qajar era were often eunuchs. Their dress suggests that they belonged to the king or high-ranking members of his court. from https://www.theguardian.com/world/iran-blog/2016/jan/14/african-slavery-in-qajar-iran-in-photos with UploadWizard |
You cannot overwrite this file.
File usage on Commons
There are no pages that use this file.
File usage on other wikis
The following other wikis use this file:
- Usage on en.wikipedia.org
- Usage on it.wikipedia.org
- Usage on sv.wikipedia.org
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Credit/Provider | Modern Conflict Archive, London, |
---|---|
IIM version | 4 |