File:John Forbes portrait.jpg
Original file (1,024 × 1,219 pixels, file size: 1.46 MB, MIME type: image/jpeg)
Captions
Summary[edit]
George Romney: Portrait of John Forbes (1714-1796) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q371280 |
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Title |
Portrait of John Forbes (1714-1796) label QS:Len,"Portrait of John Forbes (1714-1796)" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
A half-length portrait of John Forbes slightly to left, in flag officer's undress uniform, circa 1774-83. He wears a white wig. He supported Mathews during and after the Battle of Toulon 1744. He served as a member of the Admiralty Board in 1757 and was the only one who would not ratify the sentence of death of Byng. He became General of the Marines and followed Hawke as the Admiral of the Fleet in 1781 but was prevented by ill-health from taking any active part in affairs. The artist was an important portrait painter of the late-18th century, generally ranked third after Joshua Reynolds and Thomas Gainsborough. He was in Paris in 1764 and in 1773 moved to Italy for two years, where he became interested in history paintings in the elevated and élitist 'Grand Manner'. This developed into improving upon nature and the pursuit of perfect form. At its best his work demonstrated refinement, sensitivity and elegance, although it could also be repetitive and monotonous. As a society painter he typified late-18th-century English artists who, compelled by the conditions of patronage to spend their time in producing portraits, could only aspire to imaginative and ideal painting. By 1780 Romney's portraits, according to Horace Walpole, were 'in great vogue' and he worked in an increasingly neo-classical style. Signed and dated 'G Romney Pinx. 1778'. |
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Date |
1778 date QS:P571,+1778-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 76.2 cm (30 in); width: 63.5 cm (25 in) dimensions QS:P2048,76.2U174728 dimensions QS:P2049,63.5U174728 |
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Collection |
institution QS:P195,Q1199924 |
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Source/Photographer | The National Maritime Museum | ||||||||||||||||||||||||||
Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Public domainPublic domainfalsefalse |
This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See this page for further explanation.
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This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and Switzerland. The creator and year of publication are essential information and must be provided. See Wikipedia:Public domain and Wikipedia:Copyrights for more details.
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File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:48, 25 April 2015 | 1,024 × 1,219 (1.46 MB) | Hohum (talk | contribs) | Adjust colour balance | |
23:36, 1 March 2014 | 1,024 × 1,219 (1.4 MB) | Hohum (talk | contribs) | Levels | ||
22:43, 9 July 2012 | 1,024 × 1,219 (988 KB) | Jan Arkesteijn (talk | contribs) | adjusted exposure | ||
19:27, 9 July 2012 | 1,024 × 1,219 (898 KB) | Jan Arkesteijn (talk | contribs) | higher resolution | ||
22:35, 29 February 2008 | 560 × 667 (88 KB) | Benea~commonswiki (talk | contribs) | {{Information |Description=A half-length portrait slightly to left, in flag officer's undress uniform, circa 1774-83. He wears a white wig. He supported Mathews during and after the Battle of Toulon 1744. He served as a member of the Admiralty Board in 17 |
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Metadata
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Image title |
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Author | George Romney |
Copyright holder | |
Short title |
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Orientation | Normal |
Horizontal resolution | 41 dpi |
Vertical resolution | 41 dpi |
Software used | GIMP 2.8.10 |
File change date and time | 20:48, 25 April 2015 |
Exif version | 2.1 |
Supported Flashpix version | 1 |
Color space | sRGB |
Image width | 1,024 px |
Image height | 1,219 px |
Date and time of digitizing | 02:41, 10 July 2012 |
Date metadata was last modified | 02:41, 10 July 2012 |
- Portrait paintings of men by George Romney
- 18th-century portrait paintings in the National Maritime Museum, London
- John Forbes (Royal Navy officer)
- 1770s portrait paintings from Great Britain (male)
- 1778 oil on canvas paintings in the United Kingdom
- 1778 portrait paintings of men
- 18th-century oil portraits of men at half length in military uniforms
- 18th-century three-quarter view portrait paintings of men, facing left and looking at viewer
- Male portrait paintings with powdered wigs
- Paintings with descriptive text on the artwork
- Royal Navy admirals of the fleet
- Waistcoats in portrait paintings