File:John Bulls Progress (BM 1851,0901.654).jpg
Original file (1,600 × 1,260 pixels, file size: 692 KB, MIME type: image/jpeg)
Captions
Summary[edit]
John Bulls Progress ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: James Gillray
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Title |
John Bulls Progress |
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Description |
English: Four designs, each with a title, the plate divided into four quarters.
Hand-coloured etching |
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Date |
1793 date QS:P571,+1793-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1851,0901.654 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942) For other prints on the illusions and tragedies of war see BMSats 8333, 8428, 8609, p. 250, 9418, 9642. This, like BMSat 8333, was issued while the Allies were still victorious, cf. BMSat 8337. They should be compared with the anti-recruiting prints of the American War, notably BMSat 5295 (1775). Grego, 'Gillray', p. 171 (reproduction, p. 172). Wright and Evans, No. 103. Reprinted, 'G.W.G.', 1830. Reproduced, 'Social England', ed. Traill, 1904, v. 513. There is a sketch in pencil and pen by Rowlandson of [2] and [4] in the Print Room. In [2] the two soldiers are less caricatured, the wife and children are differently posed and drawn with more freedom. The file of soldiers is omitted. In [4] the soldier has not lost an eye, his family are less emaciated. On the back of the water-colour described under BMSat 9014. Binyon, iii. 250, No. 18. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1851-0901-654 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 05:57, 13 May 2020 | 1,600 × 1,260 (692 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1793 #6,535/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 14:37, 27 May 2005 |
Color space | Uncalibrated |