File:Hieronymus Bosch, The Last Judgment.JPG
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Captions
Summary[edit]
Hieronymus Bosch: The Last Judgment | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q130531 |
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Title |
The Last Judgment
.label QS:Lit,"Giudizio universale"
label QS:Lfr,"Le Jugement Dernier"
label QS:Lca,"El Judici Final"
label QS:Lde,"Das Jüngste Gericht"
label QS:Lpt,"O Juízo Final"
label QS:Lzh,"最后的审判"
label QS:Lda,"Den dommedag"
label QS:Lsl,"Poslednja sodba"
label QS:Lja,"最後の審判"
label QS:Lsv,"Den yttersta domen"
label QS:Lpl,"Sąd Ostateczny"
label QS:Lnl,"Het Laatste Oordeel"
label QS:Les,"El Juicio Final"
label QS:Lsu,"Viimeinen tuomio"
label QS:Len,"The Last Judgment"
label QS:Leo,"La Lasta Juĝo"
label QS:Lmk,"Страшниот Суд"
label QS:Lru,"Страшный суд" |
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Object type | triptych / painting | |||||||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||||||
Description | ||||||||||||||||||||||||||||
Date |
between circa 1482 and circa 1516 date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1482-00-00T00:00:00Z/9,P1326,+1516-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259 | |||||||||||||||||||||||||||
Dimensions |
height: 164 cm (64.5 in); width: 127 cm (50 in) dimensions QS:P2048,164U174728 dimensions QS:P2049,127U174728 |
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Collection |
institution QS:P195,Q414219 |
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Current location |
Gemäldegalerie |
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Accession number |
580 |
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Object history |
by 1659 date QS:P,+1659-00-00T00:00:00Z/7,P1326,+1659-00-00T00:00:00Z/9 : Leopold Wilhelm, Archduke of Austria (1614-1662)By the end of the 18th century: Graf Lamberg-Spritzenstein Unknown date : bequeathed to Academy of Fine Arts Vienna, Vienna, by Graf Lamberg-Spritzenstein |
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References |
AnonymousUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002057, as Triptyque du Jugement Dernier, from circa 1504 date QS:P,+1504-00-00T00:00:00Z/9,P1480,Q5727902 until circa 1508date QS:P,+1508-00-00T00:00:00Z/9,P1480,Q5727902 , oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259, height: 164 cm (64.5 in); width: 127 cm (50 in)dimensions QS:P2048,164U174728 dimensions QS:P2049,127U174728 .AnonymousUnknown author, Bildindex der Kunst und Architektur, object 00076878, as Weltgerichts-Triptychon, circa 1500 date QS:P,+1500-00-00T00:00:00Z/9,P1480,Q5727902 , height: 164 cm (64.5 in); width: 127 cm (50 in)dimensions QS:P2048,164U174728 dimensions QS:P2049,127U174728 AnonymousUnknown author, Web Gallery of Art, as Last Judgement Triptych (central panel), 1504-1508, mixed media on panel medium QS:P186,Q1902763;P186,Q106857709,P518,Q861259 , height: 163 cm (64.1 in); width: 128 cm (50.3 in)dimensions QS:P2048,163U174728 dimensions QS:P2049,128U174728 .Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 84, as Altarpiece, The Last Judgment. Koldeweij, A.M., P. Vandenbroeck en B. Vermet (2001) Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam: NAi Uitgevers, Gent/Amsterdam: Ludion, ISBN 90-5662-219-6, p. 176, as Laatste Oordeel, circa 1482 date QS:P,+1482-00-00T00:00:00Z/9,P1480,Q5727902 or later, oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259, height: 163.7 cm (64.4 in); width: 127 cm (50 in)dimensions QS:P2048,163.7U174728 dimensions QS:P2049,127U174728 , with color image.Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN 90-2300-651-8, p. 214, as Het Laatste Oordeel. |
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Authority file | ||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/b/bosch/8lastjud/1lastjud.html" |
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Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:35, 13 January 2009 | 900 × 1,120 (163 KB) | Vincent Steenberg (talk | contribs) | {{Painting | Artist = {{Creator:Hieronymus Bosch}} | Title = {{de|''Das Jüngste Gericht''.}} {{en|''The last judgement''.}} {{nl|''Het laatste oordeel''.}} | Year = ± 1482-1516 | Technique = {{Oil on panel}} | Dimen | |
23:32, 13 September 2006 | 750 × 1,010 (153 KB) | Andreagrossmann (talk | contribs) | Hieronymus Bosch: The Last JudgmentCategory:Hieronymus Bosch |
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Metadata
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JPEG file comment | BOSCH, Hieronymus
(b. ca. 1450, 's-Hertogenbosch, d. 1516, 's-Hertogenbosch) Triptych of Last Judgement (central panel) - Oil on panel, 164 x 127 cm Akademie der Bildenden Künste, Vienna The inclusion of the Fall of Adam and Eve in a representation of the Last Judgment is unusual; the other two panels of the Vienna triptych depart even more from traditional iconography. Generally Heaven was allotted the chief role in the eschatological drama. As in the altarpiece by Roger van der Weyden, it is the act of judgment which is stressed; the judged are relegated to positions of secondary importance, and the felicity of the saved is described as fully as the pains of the lost. In Bosch's version, however, the divine court appears small and insignificant at the top of the central panel, and very few souls are numbered among the elect. The majority of mankind has been engulfed in the universal cataclysm which rages throughout the deep, murky landscape below. This vast panoramic nightmare represents the earth in her final death throes, destroyed not by water as Dürer and Leonardo were to envision it, but by the fire foretold in a thirteenth-century hymn, the sombre Dies Irae: "Day of Wrath, that day when the world dissolves in glowing ashes". Bosch was probably also influenced by the account of the last days given in the Revelation of St John, a book which enjoyed renewed popularity in the late fifteenth century, when it was illustrated by Dürer in his famous Apocalypse woodcuts of 1496-97. The wide valley dominating the central panel may represent the Valley of Jehoshaphat, which, on the basis of several Old Testament references (Joel 4:2,12), was traditionally thought to be the site of the Last Judgment, with the walls of the earthly Jerusalem blazing in the background. In any event, earth has become indistinguishable from Hell, depicted on the right wing, out of which the army of Satan swarms to attack the damned; the eternity of torment has begun. The Hell scene in the Prado Tabletop had paired off each punishment with one of the Deadly Sins. In the Last Judgment would be difficult to identify the punishments with specific sins. The avaricious are boiled in the great cauldron just visible beneath one of the buildings in the central panel. Around the corner, a fat glutton is forced to drink from a barrel held by two devils; the source of his dubious refreshment can be seen squatting in the window overhead. The lascivious woman on the roof above suffers the attentions of a lizard-like monster slithering across her loins, while being serenaded by two musical demons. On the cliffs to the right, across the river, blacksmith-devils hammer other victims on anvils, and one is being shod like a horse; these unfortunate souls are guilty of the sin of anger.
Author: BOSCH, Hieronymus Title: Triptych of Last Judgement (central panel) Time-line: 1451-1500 School: Netherlandish Form: painting Type: religious |
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Structured data
Items portrayed in this file
depicts
- Unknown date
- Images from Web Gallery of Art
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- Artworks digital representation of both 2D and 3D work
- Artworks digital representation of 2D work
- CC-PD-Mark
- PD-Art (PD-old-100)
- WGA form: painting
- WGA type: religious
- WGA School: Netherlandish
- WGA time period: 1451-1500