File:Half-day Tour of a Historic Site.png

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English: An article titled "Half-day Tour of a Historic Site" published in Olive, a local newspaper of Hanchow, which was reproduced in Journal of the West China Border Research Society (1933–1934; Volume VI), between page 212 and page 213. It refers to the Nestorian stone in the Wang Hsiang T'ai temple, confirming the fact of the stone's destruction for bridge-making. It also contains the first information that the earlier name for the temple was "Ching Fu Yuan", as in "Ching Chiao" (i.e., Nestorian Church in China). Researcher: V. H. Donnithorne. See also "Church of the East in Szechwan".
中文(繁體):半日訪古記〉:廣漢自從燕道誠掘得石器及西人葛維漢來縣開採古物後,一般人因而受了影響,也知道古物對於厯史,文化,社會的關係很大。不過最可惜的是前幾年不知道這些,所以外北玉皇觀的和尙把唐代珍貴的陶像拿去埋在堤垻下避水。開元寺佛像肚皮內的宋版佛經(現僅幾殘頁在三水關王姓家)當做殘書濫字紙燒掉。假如前兩年公園內還是莫有陳列館的時候,包不定宋紹興鼎是要被鎔鑄成鐵器(犂鈀釘鎖),房公石還是棄於地下的頑石,明眞武祖師鐵像,還是古廟裡的菩薩。一一說起來,眞令人發笑,笑大家淺薄的可憐。

可是近來又有一樁,使我煩悶。前月聽到人說廣漢南門外望鄕台處有景敎碑一塊(景敎碑在陝西西安有一方,其他未聞),外南的人曾經看見有景福二字刊在碑上。有人又說望鄕台在早就叫景福院,更是証明。我小的時候,也曾看見一方大碑在那裡。上週聽到西人董宜篤君說:外南望鄕臺景敎碑與唐時房琯有關,因琯係景敎徒。於是使我這愚而好古的人,起了訪古的決心。

昨天午前同一位姓蔡的朋友出南門,到望鄕臺賀半天時間,遍訪景敎碑的所在。結果知道了這座大碑,是前年修漢趙馬路的時候,被所謂利用廢物,雇石匠折成數塊,把字也剷平(因爲說足踏了字,要瞎眼睛),做了橋樑了,橋樑上還鋪了很厚的沙坭。現在這碑旣是死的可憐,而且還埋葬深深的,可說是碑的不幸,是廣漢人之羞。這話會有人反對說:古董對我們有什麼關係,有牠莫有牠又有啥要緊。我也不反駁這些話,只好說一聲各行其是,關係不關係這是別一問題。——《橄欖》第四一期,中華民國二十三年四月十九日。參見相關條目「四川基督教」。
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: Journal of the West China Border Research Society (1933-34; vol. VI).pdf
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West China Border Research Society   wikidata:Q123735543
 
West China Border Research Society
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This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, the Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.


This work is in the public domain in the United States, because it was published before January 1, 1929.


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