File:Francisco de Zurbaran; his epoch, his life and his works (1918) (14765376302).jpg

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Identifier: franciscodezurba00casc (find matches)
Title: Francisco de Zurbaran; his epoch, his life and his works
Year: 1918 (1910s)
Authors: Cascales y Muñoz, José, 1865- Evans, Nellie Seelye, "Mrs. Dudley Evans," tr
Subjects: Zurbarán, Francisco, 1598-1664
Publisher: New York, Priv. print
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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THE BLESSED ALOXZO RODRIGUEZRoyal Academy of San Fernando, Madrid.
Text Appearing After Image:
ST. LAWRENCEThe Hermitage, Petrograd. Of such kind was a painting (continues Palomino)called The Bitch which was done so naturally that onefeared it might bark at those who looked at it; and therealso is a figure of a youth with sleeves of cloth of silver,so natural that anyone would know of what material theyare made. An amateur in Seville owns a little lambpainted by this artist, after nature, which he prizes morethan a hundred live ones. In the same sense writes Don Juan Augustín Ceán Ber-múdez 40 when saying that as soon as Zubarán began togain experience he determined not to paint anythingexcept after nature, nor any drapery not copied from oneworn by a manikin, and in this he succeeded in beingextremely successful, especially in white, for the tone andsoftness he produced. He imitated Michael AngeloCaravaggio in his azure tints, and in the force of his claro-obscuro, undoubtedly from having copied many works ofthat artist which might have been found in Seville, butnothing pr

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