File:F.B.I. Messenger to exhibit paintings in one man show. Washington, D.C., Oct. 19. William Samuel Noisette, who is just plain Sam to regular visitors at the office of J. Edgar Hoover, head LCCN2016874167.jpg
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DescriptionF.B.I. Messenger to exhibit paintings in one man show. Washington, D.C., Oct. 19. William Samuel Noisette, who is just plain Sam to regular visitors at the office of J. Edgar Hoover, head LCCN2016874167.jpg |
English: Title: F.B.I. Messenger to exhibit paintings in one man show. Washington, D.C., Oct. 19. William Samuel Noisette, who is just plain Sam to regular visitors at the office of J. Edgar Hoover, head G-Men yesterday issued a statement to the press, and when close mouthed Sam issues a statement, its news. Sam's statement started out with crime and criminals, but that was just a teaser to lure the reader into the real subject of the release-- Sam's annual one man art show, to be held at the local YMCA in Washington. Sam is show with a view of Yellowstone Park painted in 1935, from a Kodak map, he has worked for 28 years in his spare time, to create the exhibit, 10/19/38
Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller |
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Library of Congress
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Author | Harris & Ewing, photographer | ||
Permission (Reusing this file) |
No known restrictions on publication. For more information, see Harris & Ewing Photographs - Rights and Restrictions Information https://www.loc.gov/rr/print/res/140_harr.html
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Collection InfoField | Harris & Ewing Collection | ||
Notes InfoField |
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Part of InfoField | harris & ewing collection · prints and photographs division | ||
Subject InfoField | united states · district of columbia · washington (d.c.) · glass negatives | ||
Location InfoField | district of columbia | ||
Place InfoField | District of Columbia--Washington (D.C.) | ||
Genre InfoField | Glass negatives |
Licensing[edit]
Public domainPublic domainfalsefalse |
This work is from the Harris & Ewing collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work. |
Public domainPublic domainfalsefalse |
This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
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current | 23:11, 22 May 2018 | 10,072 × 8,112 (8.87 MB) | Fæ (talk | contribs) | LOC upscale 1,024 × 825 → 10,072 × 8,112 | |
20:08, 18 March 2018 | 1,024 × 825 (105 KB) | Fæ (talk | contribs) | Library of Congress Harris & Ewing Collection 1938 LCCN 2016874167 jpg # 21,261 / 41,540 |
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