File:Cruelty and Oppression Abroad (BM 2007,7058.2).jpg
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Captions
Summary[edit]
Cruelty and Oppression Abroad ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Richard Newton
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Title |
Cruelty and Oppression Abroad |
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Description |
English: Satire on the campaign to end the British slave trade: a Caribbean scene with enslaved Africans dancing happily watched by two white men and a white woman, while in the foreground an abolitionist admits to a man in military uniform that accounts of cruelty are merely the products of his own "vile imagination". May 1792 |
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Date |
1792 date QS:P571,+1792-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
2007,7058.2 |
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Notes |
This print was published within six weeks of William Wilberforce's first motion for the abolition of the slave trade (see 2007,7058.1) and demonstrates how the West India interest began to cast doubts on the abolitionist cause. It is a pair to "Justice and Humanity at Home" (impression in the Huntington Library, San Marino, California) where William Wilberforce is seen to be ignoring the cruel flogging of British sailors ("This is so near home it is beneath our notice"). For another related print, see 2007,7058.3. The print was advertised on "Wonderful News from Seringapatam" (BM Satires 8090), published by Holland on 18 May 1792: "Three Prints on the Slave Trade - Justice and Humanity at Home - Cruelty and Oppression Abroad; and, the Blind Enthusiast. Price Half a Guinea." There is another impression in the collection of the New York Historical Society. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_2007-7058-2 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing[edit]
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:58, 14 May 2020 | 2,500 × 1,927 (617 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1792 #8,675/12,043 |
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Metadata
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Camera manufacturer | Phase One |
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Camera model | P 65+ |
Date and time of data generation | 15:42, 1 March 2011 |
Exposure time | 2,694/336,749 sec (0.0080000237565665) |
ISO speed rating | 50 |
Width | 8,344 px |
Height | 6,430 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Exif version | 2.2 |
Image width | 8,344 px |
Image height | 6,430 px |
Date and time of digitizing | 15:42, 1 March 2011 |
APEX shutter speed | 6.96578 |
Light source | Other light source |
File source | Digital still camera |
Scene type | A directly photographed image |
Color space | Uncalibrated |
Software used | Capture One 5 Macintosh |
File change date and time | 17:24, 13 April 2011 |
Date metadata was last modified | 17:24, 13 April 2011 |
Unique ID of original document | xmp.did:0880117407206811871FCA8C6F211BA7 |
IIM version | 4 |