File:Antonio Allegri da Correggio, his life, his friends, and his time (1896) (14767967622).jpg

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Identifier: antonioallegrida00ricc (find matches)
Title: Antonio Allegri da Correggio, his life, his friends, and his time
Year: 1896 (1890s)
Authors: Ricci, Corrado, 1858-1934
Subjects: Correggio, 1489?-1534
Publisher: New York : C. Scribner's Sons
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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A vestal. (Fresco in the Camera di San Paolo at Parma. CHAPTER VI CORREGGIOS EARLY WORKS THE FRANCISCAN ALTAR-PIECE AT DRESDEN—JUVENILE PICTURES BY CORREGGIOAT MILAN, PAVIA, MODENA, FLORENCE, MUNICH, SIGMARINGEN, AND LONDON. THE first of Correggiosworks mentioned in exist-ing records is the so-calledMadonna of San Francesco. Inhis will, dated July 4, 1514, acertain Quirino Zuccardi left ahouse to the Franciscan monas-tery at Correggio. This legacyhe directed should be used tocover the cost of a picture forthe high altar of the church.Zuccardis heir, Nicola Selli ofParma, a citizen of Correggio,elected to keep the house. Heoffered to compound for its pos-session with a sum of ninety-five ducats, sixty-four soldi, to be paid
Text Appearing After Image:
putti. (Fresco in the Camera di San Paolo at Parma.) THE MADONNA OF SAN FRANCESCO 93 to Girolamo Catanei, the Franciscan bursar and procurator, the moneyto be spent on the proposed picture. The offer was readily acceptedby the reverend bursar, who duly fixed a limit of time for the settle-ment. About six weeks later (August 30), Catanei, Antonio Zuccardi,Tommaso Affarosi, syndic of the monastery, and a notary, presentedthemselves at the house of Correggio, then a youth of barely twentyyears old, and commissioned him to paint the altar-piece. The agree-ment drawn up on this occasion gives a minor detail of some interest.The preliminaries were discussed and the contract made in thepainters modest bed-room on the ground-floor. Why, it may beasked, was not some more suitable place chosen—the monastery itself,the notarys house, the palace of the city ? The answer is obvious.We are convinced that Allegri had already painted the St. Martha(of which we shall have more to say presently) for

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  • bookid:antonioallegrida00ricc
  • bookyear:1896
  • bookdecade:1890
  • bookcentury:1800
  • bookauthor:Ricci__Corrado__1858_1934
  • booksubject:Correggio__1489__1534
  • bookpublisher:New_York___C__Scribner_s_Sons
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:125
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014


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