File:A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871) (14760027381).jpg

Identifier: historyofpaintin01crow (find matches)
Title: A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century
Year: 1871 (1870s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897
Subjects: Painting Painting, Gothic Painting, Renaissance
Publisher: London, J. Murray
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Text Appearing Before Image:
i. Thedate is on a tablet hanging inthe festoon above the Virginshead, with an inscription to this effect: Miseratrix Virginum nostr.miserere. MDXV. The head ofS Joseph is damaged, and thefresco is split downwards so as tospoil that figure. Beneath theprincipal subject is a view of thebridge and people on it. The ori-ginal drawing for this fresco isin the Uffizi under the name of G.Bellini. 2 Bergamo, Lochis-Carrara. Can-vas with life-size half-lengths ofthe Virgin, child, S^ Joseph, Vin-cent, Anna, and Francis. On thehem of the Virgins bodice:Francisc. Moro; lower down inthe right hand corner: FranciscusMoronus Veros 1520 pinxit. Thispicture is much injured and black-ened by restoring. 3 Verona, San Fermo. Virginand child between S^ Elizabethand James, inscribed: MDXXIII.Franciscus Moronus p. The frescois all but gone. ^ Verona, San Zeno, cappellaEmilii, panels of S^ James and SJohn, life-size, the former wdth apatron, embrowned by time butof Morones best and fairly pre- North Italy.
Text Appearing After Image:
, DONXA AND SAINIS ; a fresco uear the rente delle Navi at Vercna.by i-ratcosco Uorone. Chap. XVI. GIROLAMO DAI LIBRI. 493 half-length; in the museum of Berlin/ and another inthe National Gallery.^ Cotemporary with Morone^ but bred by his father^ aVeronese miniaturist^ of whom no vestige has been pre-served; is Girolamo dai Libri^ born in 1474, dead in1556.^ The first picture which he exhibited is the depo-sition from the cross, in the church of Malsesine on the served; sometimes falsely assignedto Caroto (but see Vasari, IX.195). The Christ carrying* hiscross, which formed the centre ofthe altarpiece to which thesefigures belonged, is no longer inthe chapel. Verona Gallery, roomIV. No. 85, m. 1-65 h. by IO. S*Catherine with a patron in themanner of the canvases at Mar-cellise. Room V. No. 91, fromSanta Maria della Vittoria Nuova.The Saviour in glory between theVirgin and evangelist, arched.This picture, assigned to Morone,is probably by Morando. Itcomes out of a church wherefrescos e

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