File:15th-century painters - Parisian Book of Hours - WGA15985.jpg
Original file (621 × 809 pixels, file size: 208 KB, MIME type: image/jpeg)
Captions
Hours of Louis de Guyenne? Parisian Book of Hours ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q1918339 |
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Title |
Hours of Louis de Guyenne? Parisian Book of Hours |
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Date |
between circa 1405 and circa 1410 date QS:P571,+1450-00-00T00:00:00Z/7,P1319,+1405-00-00T00:00:00Z/9,P1326,+1410-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | illumination on parchment | |||||||||||||||||||||||
Collection |
institution QS:P195,Q23308 |
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Accession number |
Add MS 29433 |
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Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/zgothic/miniatur/1401-450/2italian/03i_1400.html" |
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Permission (Reusing this file) |
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current | 05:46, 6 June 2011 | 621 × 809 (208 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = Unknown Miniaturist, Italian (active in 1400-1410 in Paris) |title = Parisian Book of Hours |description = |date = {{other date|ca|1405|1410}} |medium |
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JPEG file comment | MINIATURIST, Italian
(active in 1400-1410 in Paris) Parisian Book of Hours c. 1405-10 Illumination on parchment British Museum, London This page, the opening page of the Hours of the Virgin, is from a Parisian Book of Hours. The artist has been identified as an Italian called Zebo da Firenze. In the opening years of the fifteenth century, the importance of Italian ideas in French manuscript painting is clear, with fresh experiments in landscape, with the introduction of architectural portraiture and occasionally with the transposition to the manuscript page of compositions derived from Italian wall-painting. A significant innovation was the introduction of Italianate acanthus leaves into the borders of traditional spiky ivy-leaf. One Italian manuscript painter can certainly be traced to France. He was called Zebo da Firenze and worked probably in Paris during the beginning of the fifteenth century. In the page from a Parisian Book of Hours he tended to engulf the text in a mass of decorative acanthus liberally interspersed with putti. His narrative scenes were not always confined to a restricted area but sometimes spilled over into the border after the Italian manner.
Author: MINIATURIST, Italian Title: Parisian Book of Hours Time-line: 1401-1450 School: Italian Form: illumination Type: religious |
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