File:14th-century unknown painters - The Virgin and Donor - WGA23912.jpg
Original file (805 × 958 pixels, file size: 166 KB, MIME type: image/jpeg)
Captions
The Virgin and Donor | ||||||||||||||||||||||||
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Artist |
Unknown Master, Italian (active in Lombardy, 1370s) |
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Title |
The Virgin and Donor label QS:Len,"The Virgin and Donor" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
circa 1370 date QS:P571,+1370-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | Detached fresco | |||||||||||||||||||||||
Dimensions |
height: 323 cm (10.5 ft); width: 217 cm (85.4 in) dimensions QS:P2048,323U174728 dimensions QS:P2049,217U174728 |
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Collection |
institution QS:P195,Q150066 |
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References | https://www.wga.hu/html/m/master/xunk_it/xunk_it2/18chape2.html | |||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/master/xunk_it/xunk_it2/18chape2.html" |
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Permission (Reusing this file) |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:58, 13 June 2011 | 805 × 958 (166 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Unknown Master, Italian (active in Lombardy, 1370s)}} |title = The Virgin and Donor |description = |date = {{other date|ca|1370}} |medium = Detached fresco |dimensions |
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JPEG file comment | UNKNOWN MASTER, Italian
(active in Lombardy, 1370s) The Virgin and Donor c. 1370 Detached fresco, 323 x 217 cm Pinacoteca di Brera, Milan The two frescoes (Crucifixion and The Virgin and Donor) from the oratory of Mocchirolo constitute one of the most interesting and complete examples of the spreading influence of Tuscan art in northern Italy during the late fourteenth century. Count Porro, who commissioned the decoration of the oratory, is shown kneeling before the Madonna in The Virgin and Donor. Controlled and contained in feeling, the dramatic aspects of the tragedy of the Crucifixion are expressed in the noble pathos of the swooning Madonna. To maintain the equilibrium of the composition, the outward movement of her body is countered by the angels in flight and the columnar figure of St John. The modeling of the figures, achieved through gradations of intense colour, complements the measured narrative rhythm. In the portraits of the donors (members of the Porro family) on the walls, and in the figure of St Catherine, the drawing is light and precise. In both paintings the roseate colour is laid on in thin, transparent brushstrokes, and the tenuous compositional connections have an elegant subtlety.
Author: UNKNOWN MASTER, Italian Title: The Virgin and Donor Time-line: 1351-1400 School: Italian Form: painting Type: religious |
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- Paintings by 14th-century unknown painters in the Pinacoteca di Brera (Milan)
- 14th-century paintings of Madonna and Child by unknown painters
- 14th-century frescos in Milan
- Gothic frescos in Milan
- 1370s frescos in Italy
- Frescos of Madonna and Child in Milan
- Maestà
- Paintings of Madonna and Child in the Pinacoteca di Brera, Milan